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Beocord 1500

Beocord 1500

Beocord 1500

Beocord 1500 Product Details

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Beocord 1500 Product Specification

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BeoCord 1500 Service Manual

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BeoCord 900

BeoCord 900

BeoCord 900

Beocord 900 was the simplest of Bang & Olufsen’s range of cassette-recorders.

Your only task was to choose the type of tape to put in: Cr02 or normal. Beocord 900 had large easy-to-read VU meters and recording controls were separate for left and right channels. There was a socket for a microphone and a push-button for mono recordings.

Tape-heads were made of Super Permalloy, a hard and extremely durable material which ensures a long useful lifetime. Wow and flutter was less than 0.28% (JIS method). Signal-to-noise ratio was better than 50 dB with chromium dioxide tapes.

BeoCord 900 Product Details

Type Numbers

2608 (1973 - Aug 1975)

Designer

Manufactured

1973 - 1975

Colour Options

Teak, Rosewood, White

BeoCord 900 Product Specification

Tape system C60 – C90
Tape type: low noise
Chromdioxid
Tone head Super permalloy
VU metre 2 VU metre
Microphone Mono
Wow and flutter < +/- 0.28 %

Speed deviation < +/- 1.5 %
Fast forward and rewind 90 sec

Frequency range 40 – 12,500 Hz
Signal-to-noise ratio > 50 dB
Erasure > 60 dB
Erasure frequency 70 kHz
Radio input 6-100 mV / 47 kohms
Microphone input 75 – 1000 µV / 1 kohm
Radio output 800 mV / 11 kohms
Dimensions H x W x D: 8.5 x 40 x 24cm

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BeoCord 900 Service Manual

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BeoCord 1000

BeoCord 1000

BeoCord 1000

While Bang & Olufsen made wire recorders in the late 1940’s and early 1950’s they did not start to produce open reel tape recorders until the early 1960’s. However, as with all B&O products these were considered excellent quality and many are still in use today.

Beocord 1000 was introduced in 1966 – and the Beocord 1100 that replaced it in 1967 – were the budget models of the range. They were stereo machines but had only mono monitoring.

Beocord 1500 and Beocord 1800 eventually superceded these two models; Beocord 1800 featured a mixer as in more expensive machines and also incorporated both sound-on-sound and overdubbing capabilities. Beocord 2000 was the best-selling and the best-loved machine that the company produced; this was manufactured from 1965 to 1968 and was drowning in features many not seen on anything but professional machines until the late 1970’s.

In 1969 the company introduced Beocord 1200, Beocord 1600 and Beocord 2400.

BeoCord 1000 Product Details

Type Numbers

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Designer

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Manufactured

1966 - 1967

Colour Options

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BeoCord 1000 Product Specification

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BeoCord 1000 Circuit Diagram

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BeoCord 1100 (1967)

BeoCord 1100 (1967)

BeoCord 1100 (1967)

Beocord 1100 – an all-transistor 2-track hi-fi mono recorder possessing a maximum of technical features: 3 tape speeds: 4.75cm/sec (recording of speech), 9.5cm/sec (recording of gramophone and AM radio), 19cm/se (recording of FM radio and direct recordings of music).

All reel sizes – including the 18cm reels. The amplifier, built on a printed integrated circuit principle, delivers no less than 10 watts of undistorted power output (built-in speaker 3 watts; extension speaker 10 watts). Automatic recording level control which may be switched on and off as desired. Two smooth-running specially engineered slack absorbers take up slack, ensuring absolutely smooth starting and stopping at all tape speeds. Electronic overload protection. Variable monitoring of the recorded signal. Top-quality low-noise tape drive motor built on rugged anti-torsion steel chassis. May be used as a separate microphone, radio, gramophone or guitar amplifier. Smooth-operating tape control lever. Large V.U. meter for visual recording level monitoring, input selector for gramophone, radio and microphone.

Separate bass and treble controls. Pause control lever with editing position. Automatic tape stop at end of tape and if tape breaks, also with metal foil. Tape counter. Speed selector with built-in on/off switch. Fast forward and reverse rewind. Output jacks for external speaker and low-impedance headphones. All jack plugs are international DIN standard types. Built-in splicing device. Permits recording from one tape recorder to another. Pilot lamp indicating that the instrument is switched on.

The Beocord 1100 is a convenient portable model (weighs 13,2kg) with built-in speaker and carrying handle, and its slim design makes it well-suited for placing on book shelves etc.

Space for radio cable, microphone with cable and stand, and recording cable.” – taken from the 1967 – 1968 Bang & Olufsen product catalogue.

BeoCord 1100 (1967) Product Details

Type Numbers

4203

Designer

Please let us know

Manufactured

1967 - 1969

Colour Options

Teak, rosewood

BeoCord 1100 (1967) Product Specification

Power supply: 110 – 130 – 220 – 240 volts AC
Frequency 50 Hz
Power consumption: 10 – 70 watts

Tape Transport
Number of tracks 19 – 9,5 – 4,75 cm/sec
Reel size 2 tracks record and playback
Playing times Max 18cm
Fast tape motion 150 sec. in both directions with LP tape, 540 M
Tape counter 3-digit readout (with pushbutton reset)
Wow and flutter Measured according to DIN 45,507
Tape speed variation Less than +/- 2 %
Tape stop At end of tape and if tape breaks, also where metal foil is fitted on tape, during normal forward tape motion.

Slack absorber Prevents jerks when tape is stopped and started. Tape twisting when using thin tapes (such as 3-play tapes can be avoided by bringing the tape outside the slack absorbers)

Power output 10 watts (approx. 3 watts with built-in speaker, 10 watts with external speaker)
Frequency response 19 cm/sec. : 30 – 20,000 Hz (+/- 2 dB 40 – 16,000 Hz)
9,5 cm/sec.: 30 – 16,000 Hz ( +/- 2 dB 40 – 12,000 Hz)
4,75 cm/sec.: 50 – 8,000 Hz ( +/- 2 dB 50 – 6,000 Hz)
Signal-to-noise ratio Better than 55 dB at 19 cm/sec.

Erasure 60 kHz erase oscillator combined with output stage. Ferrite erase head with twin gap.
Tone Controls Bass control range: + 14 dB – 15 dB at 40 Hz
Treble control range: +6 dB -12 dB at 10,000 Hz

Connections: Inputs Microphone 50/200 ohms – 35 µV/1000 Hz
Radio: 47 kohms – 1,6 mV / 1000 Hz
Gramophone: Low impedance : 47 kohms – 2mV / 1000 Hz
High impedance: 2,2 mohms – 75 mV / 1000 Hz
Outputs Extension speaker – 4 ohms
Radio: 4,7 kohms – 0.6 V max.

Dimensions H x W x D 20,2 x 45,5 x 29,5 cm
Weight 13,2kg

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User Guide

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BeoCord 1100 User Guide

User Guide

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BeoCord 1100 User Guide

User Guide

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BeoCord 1100 User Guide

Service Manual

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BeoCord 1100 Service Manual

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BeoCord 1100 (1975)

BeoCord 1100 (1975)

BeoCord 1100 (1975)

The fact that the Beocord 1100 was equipped with Dolby B Noise Reduction system immediately placed it among the market’s better cassette decks (catalogue 1977 / 78).

It had all the facilities you needed for recording compact cassettes and replaying them through an existing amplifier system. The combined record/playback head was made of Super Permalloy, an extremely durable material which ensured a long useful lifetime and had excellent magnetic properties. Other refinements included an electronic auto stop at end-of-tape and a switch for selecting between chromium dioxide and normal (ferric oxide) tapes.

The setting of correct recording levels was by way of individual controls used in conjunction with VU meters for left and right channels. Beocord 1101 was technically identical to Beocord 1100 but had a different exterior finish.

BeoCord 1100 (1975) Product Details

Type Numbers

2612

Designer

Manufactured

1975 - 1977

Colour Options

Teak, rosewood, oak

BeoCord 1100 (1975) Product Specification

Compact cassette: C60-C90
Tape head: Super Permalloy
Dolby system: Yes
Iron oxide: tape Yes
Chromium dioxide tape: Yes

Stop at the end of tape: Yes
Microphone type: Mono

Wow and flutter, DIN: < +/- 0.3%
Speed deviation: < +/- 1.5%
Frequency range: 40 – 12500 Hz
Fast forward and rewind: 90 sec

Signal-to-noise ratio DIN: >54 dB
Signal-to-noise ratio chrome: >62 dB
Power consumption: 20 W
Dimensions: 40 x 8.5 x 24cm
Weight: 5.3 kg

Connections: Microphones 75 mV/10 Kohms

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BeoCord 1100 User Guide

User Guide

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BeoCord 1100 User Guide

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BeoCord 1100 User Guide

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BeoCord 1100 Service Manual

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BeoCord 1101 (1975)

BeoCord 1101 (1975)

BeoCord 1101 (1975)

The fact that the Beocord 1100 was equipped with Dolby B Noise Reduction system immediately placed it among the market’s better cassette decks (catalogue 1977 / 78).

It had all the facilities you needed for recording compact cassettes and replaying them through an existing amplifier system. The combined record/playback head was made of Super Permalloy, an extremely durable material which ensured a long useful lifetime and had excellent magnetic properties. Other refinements included an electronic auto stop at end-of-tape and a switch for selecting between chromium dioxide and normal (ferric oxide) tapes.

The setting of correct recording levels was by way of individual controls used in conjunction with VU meters for left and right channels. Beocord 1101 was technically identical to Beocord 1100 but had a different exterior finish.

BeoCord 1101 (1975) Product Details

Type Numbers

2613 (1975 - June 1978)

Designer

Manufactured

1975 - 1977

Colour Options

Teak, rosewood, oak

BeoCord 1101 (1975) Product Specification

Compact cassette: C60-C90
Tape head: Super Permalloy
Dolby system: Yes
Iron oxide: tape Yes
Chromium dioxide tape: Yes

Stop at the end of tape: Yes
Microphone type: Mono

Wow and flutter, DIN: < +/- 0.3%
Speed deviation: < +/- 1.5%
Frequency range: 40 – 12500 Hz
Fast forward and rewind: 90 sec

Signal-to-noise ratio DIN: >54 dB
Signal-to-noise ratio chrome: >62 dB
Power consumption: 20 W
Dimensions: 40 x 8.5 x 24cm
Weight: 5.3 kg

Connections: Microphones 75 mV/10 Kohms

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BeoCord 1101 Service Manual

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BeoVox RL 140

BeoVox RL 140

BeoVox RL 140

The idea behind Beovox Red Line speakers was one of flexibility.

A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies.

You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that ‘curved’ round the sound thereby eliminating irritating resonance because there were no parallel surfaces.

Music that never stands still

Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you weren’t plagued by cables that wrapped themselves around your feet like spaghetti either; Red Line’s flexible spiral cables provided the decorative and practical answer.

The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever.

Great and small

You could choose Red Line in four sizes. They started with the baby 35 watt RL35 – perfect for a Beolink round-the-house system where you needed speakers all over the place. Then there was the 45.2, the 60.2 and the immensely powerful 140’s – big and beautiful with it. All the Red Line collection came in metallic grey with a distinctive red line around the edge. A matching cord was available to accentuate the red line after which the speakers were named.

In 1991 the former Redline series – RL35, 45, 45.2, 60, 60.2, 100 and 140 were superseded by the Mark 2 range of loudspeakers: RL1000, 2000, 6000 and 7000.

BeoVox RL 140 Product Details

Type Numbers

6501 (1986 05-1992)
6021 (1986 02-1994)

Designer

Manufactured

1986 - 1992

Colour Options

Grey

BeoVox RL 140 Product Specification

Dimensions W x H x D 50 x 70 x 24 cm
Weight – 15 kg
Long-term max. input power – 200 watts
Maximum noise power – 140 watts
Speaker impedance – 8 ohms
Frequency range 40 – 20,000 Hz
Power at 96 dB SPL 2 watts
Sensitivity 1 W 93 dB
Distortion – < 0.5 %
Cabinet principle – Bass Reflex
Woofer 2 x 16.5 cm – 6½”
Tweeter 13 cm – 1″
Crossover frequency – 800/3000 Hz
Net volume – 38 litres
Connections – Spring Terminals

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Beovox RL 140 Service Manual

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BeoVox RL 60

BeoVox RL 60

BeoVox RL 60

The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor.

You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that ‘curved’ round the sound thereby eliminating irritating resonance because there were no parallel surfaces.

Music that never stands still

Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you weren’t plagued by cables that wrapped themselves around your feet like spaghetti either; Red Line’s flexible spiral cables provided the decorative and practical answer.

The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever.

BeoVox RL 60 Product Details

Type Numbers

6503 (1984 May 1987)

Designer

Manufactured

1984 - 1987

Colour Options

Grey

BeoVox RL 60 Product Specification

RMS power handling capacity 60 W
Music power handling capacity 90 W
Impedance 8 ohms
Frequency range +4 -8 dB 45 – 20,000 Hz
Power at 96 dB SPL 2 W
Sensitivity 1 W 93 dB
Distortion 250 – 1000 Hz < 1 %
Distortion > 1000 Hz < 0.5 %
Acoustic principle ABR, Auxiliary Bass Radiator
ABR unit: 15 x 33cm
Woofer: 2 x 16cm
Tweeter: 2.5cm
Crossover frequency: 2500 Hz
Net volume: 19 litre
Dimensions W x H x D: 54 x 40.5 x 18cm
Weight 9 kg

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Circuit Diagram

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Beovox RL 60 Circuit Diagram

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BeoVox RL 60.2

BeoVox RL 60.2

BeoVox RL 60.2

The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor.

You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that ‘curved’ round the sound thereby eliminating irritating resonance because there were no parallel surfaces.

Music that never stands still

Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you weren’t plagued by cables that wrapped themselves around your feet like spaghetti either; Red Line’s flexible spiral cables provided the decorative and practical answer.

The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever.

BeoVox RL 60.2 Product Details

Type Numbers

6513 (1988 - May 1992)

Designer

Manufactured

1988 - 1992

Colour Options

Grey

BeoVox RL 60.2 Product Specification

Dimensions W x H x D: 54 x 40 x 18cm
Weight 8.3 kg
Long-term max. input power 75 W
Maximum noise power 45 W
Speaker impedance 8 ohms
Frequency range 42 – 20,000 Hz
Power at 96 dB SPL 2 watts
Sensitivity 1 W 93 dB
Distortion < 0.5 %
Cabinet principle: Bass Reflex
Woofer: 2 x 13cm
Tweeter: 2.5cm
Crossover frequency 350 Hz
Net volume 19 litre
Connections: spring terminals
DIN socket

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Beovox RL 60.2 Service Manual

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BeoVox RL 45.2

BeoVox RL 45.2

BeoVox RL 45.2

The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor.

You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that ‘curved’ round the sound thereby eliminating irritating resonance because there were no parallel surfaces.

Music that never stands still

Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you weren’t plagued by cables that wrapped themselves around your feet like spaghetti either; Red Line’s flexible spiral cables provided the decorative and practical answer.

The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever.

BeoVox RL 45.2 Product Details

Type Numbers

6514 (1988 - Jan 1992)

Designer

Manufactured

1988 - 1992

Colour Options

Grey

BeoVox RL 45.2 Product Specification

Dimensions W x H x D: 54 x 40.5 x 16cm
Weight: 6.8 kg
Long-term max. input power: 75 W
Maximum noise power: 45 W
Speaker impedance: 8 ohms
Frequency range: 48 – 20,000 Hz
Power at 96 dB SPL: 2.5 W
Sensitivity 1 W: 92 dB
Distortion: < 1 %
Cabinet principle: Bass Reflex
Woofer: 16cm
Tweeter: 1.9cm
Crossover frequency: 3500 Hz
Net volume: 16 litre
Connections: spring terminals

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Beovox RL 45.2 Service Manual

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