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Beo1

Beo1

Beo1

” Absence can be the most expressive form of presence. Especially when it comes to designing a truly user-friendly remote control. Beo1 works together with Beocenter 1 and Beovision 1 to give you maximum freedom from a minimal number of buttons. The succinct Beo1 works in all directions and will lead you directly to a personalised on-screen menu holding all your favourite programmes. The perfect balance enhances usability, and polished aluminium completes the experience ” (B&O catalogue 2001 – 2002)

Beo1 remote control: ‘Aesthetically yours’

Beo1 is especially for the Beovision 1 and Beocenter 1 televisions. It is made from one piece of aluminium and is a natural aluminium colour. The main functions of both these TV receivers can be controlled using the unit; a display button can be stepped through in order to control the radio, DVD or TV in Beocenter 1. The Setup options for both TVs may be controlled using this remote control, too… the smaller brother of Beo4.

” Standard remote controls are unsightly plastic objects with too many buttons. Bang & Olufsen took the hard and the outstanding new way of shaping a modern material. Aluminium plates and profiles give new experiences to the consumer and high challenges for the designers and engineers. The functionality in combination with light weight, elegant design, durability and recyclability is of a very high standard. The machining of the basis, a hemispherical formed plate, was done on a lathe and attached to the rotating fixture by a film of frozen water.

Using the modern hydroforming technique for the organic cabinet part and sophisticated surface treatments as anodizing and grinding, gives the Beo 1 the modern but almost timeless look. Fitting the parts together, modern structural bonding techniques where used. The human experience is the centre of all efforts to ensure the fit between design and technology. The goal to realize a very friendly and a easy to use remote control in combination with a functional and elegant design was reached. “

Beo1 (with only 11 buttons) and banana-shaped cordless telephone – BeoCom 2 – are made of 100-percent polished aluminium. “We polish the round shapes with a 5-axis robot arm,” says B&O spokesman Mr. Mortensen. “We want the naked aluminium because that makes the visual difference. Bare aluminium is very touch-sensitive: if a part has a fingerprint on the surface it cannot be anodized and cannot be used (in that case, it’s recycled). And to achieve the colours we want, our designers had to acquire special anodizing knowledge.”

Plastic-free surface on remote control units

“Surface treatment is very important to Bang & Olufsen. It affects not only the appearance but also the feel of a piece of equipment” states Technology Director Peter Petersen. “A product is created to be used, and you can’t do that without touching it.”

“A Bang & Olufsen terminal – or remote control – must sit nicely and comfortably in the hand. So we don’t coat it with plastic. A plastic terminal somehow doesn’t feel as genuine as ours. And gets hot and sweaty, too. After a great deal of work on the choice of materials we have selected zinc for all our terminals. It sits well in the hand and is pleasant to touch. The heat from the hand is conducted away, so the terminal never feels clammy. In design terms, this choice represents an extra form of quality.”

Bang & Olufsen terminals, of course, are not just attractive to the eye and pleasing to the hand. User interface is in fact one of Bang & Olufsen’s main concerns, where technology is really put in the service of humankind. Through logic operations, in fact, B&O’s remote control units make life with the product a pleasant experience.

Beo1 was discontinued in the autumn of 2002 when Beo4 was used for Beovision 1 and Beocenter 1 in place of its smaller brother.

Beo1 wins top aluminium award

On 21 September 2000 in Essen, Germany, the Beo1 remote control won first prize at the Aluminium 2000 Conference.

Beo1 captured the title within the Consumer Products division up against a sea of other entries, including our own BeoLab 1 and BeoCom 2. Grounds for the selection of our newest remote control include utilising technology with innovative twists to ensure that the human experience is optimised. Never compromised.

These innovative processes include structural bonding by freezing, lightning-quick milling and flawless hydroforming – all of which yield a smooth, seamless cabinet.

The Aluminium 2000 conference was organised by The European Aluminium Association, with the goal of recognising outstanding competencies in aluminium processing.

Beo1 is the concept dedicated remote control for the Beovision 1 concept and was launched at the end of 1999.”

Handing it intuitively to Bang & Olufsen: a history of remote controls

Bang & Olufsen’s first remote control came on the market in 1974. That year, Bang & Olufsen launched two products, each with a remote control of the same design. It was the size of a small cigar case and had a steel top plate. These two remote controls, which were not integrated, were the Beovision 6000 Commander and the Beomaster 6000 Commander. The TV remote control allowed the user to select programmes and picture quality from the comfort of an armchair. The remote control for the stereo enabled the user to control a four-channel sound system.

Before too long remote controls became smaller, in the form of Beovision 6002’s Beovision Control Module. The buttons on its surface were designed so that you could use the remote control without looking at it. Those for turning down a setting were shaped to curve downwards, while the buttons for turning up a setting curved upwards.

The following Video Terminal was cast in zinc so that heat was conducted away from the palm of the hand. This remote control, which used an infrared beam, was launched in 1980. It was quite narrow, with a keypad that both resembled and functioned the same way as the buttons on a telephone. This was another way of helping the user to operate the remote control without looking at it. This version introduced additional buttons for operating Teletext TV.

The following year, Bang & Olufsen added functions for operating video recorders and a new version of the Beovision Control Module. System integration had advanced to the point of sharing a remote control between the Beovision 8800 and Beocord 8800 Video.

The next generation of remote controls arrived when it became necessary to transfer more operating information that, for purely technical reasons, could not be incorporated into a single remote control. Now sound could be transferred between the television and the stereo system. This became possible with the combination of a video terminal and an audio terminal into an AV Terminal – the forerunner of Beolink 1000 – in 1985.

In 1987, all audio, video and audio/video remote controls were integrated into one unit with the Beolink 1000. Since then, Bang & Olufsen has pursued a strategy of only having one remote control for all products – most recently with Beo4, which is capable of operating all products. Beo1 is a minor exception to the strategy. It only operated Beocenter 1 and Beovision 1 and was intended for a new customer segment, which it did not completely succeed in capturing. For this reason, it was replaced by the Beo4 from autumn 2002.

In general, Bang & Olufsen’s development of remote controls can be summed up in a simple concept: Intuitive use. It is important to be able to adjust sound and picture from wherever you may be in the home. Accordingly, Bang & Olufsen has chosen simple functions – and that, of course, also has implications for the design of the remote control. It’s easy enough to pack a lot of buttons and functions into a remote control, but Bang & Olufsen has chosen a simple operational philosophy for the customer.

Beo4 has relatively few buttons, but it can retrieve a lot of information if required. That is what you call quality. Since the development of the first remote control cast in zinc, the company’s remote controls have had a certain intrinsic weight. This helps to give a sense of quality. Last but not least, the remote control is renowned for having a long range. You don’t have to get into a special position to communicate with the system. Once you have the remote control in your hand, you are ‘in total command’.

(Taken from Beolink Magazine: ‘The First 50 Years of Television’ © Bang & Olufsen a/s 2002)

Beo1 Product Specifications

Designer: David Lewis

Manufactured: 2000 – 2002

Colours: Aluminium

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BeoSystem 3

BeoSystem 3

BeoSystem 3

BeoSystem 3

BeoSystem 3 is a ‘stage manager’ for your personal home theatre. It comes alive once you connect all your A/V hardware to it.

Just like a manager working backstage at the theatre, it ensures that all the individual players in your entertainment set-up know their roles and are able to give the best performance possible. From simply displaying the images in your digital camera – to the grandest of widescreen Home Cinema experiences in 7.1 surround sound, even with the option of using two subwoofers instead of just one.

Connect almost anything to BeoSystem 3 and Beo4 is likely be able to control it. And given that BeoSystem 3 holds 70+ different plugs and cables you are left with quite ample choice.

Cinema Engine.

BeoSystem 3 is a Cinema Engine, designed to accept and optimise a variety of signal sources: cable, satellite, high-definition television, surround Sound, DVD, Hard Disc Recorders, content streamed over Broadband, game consoles, digital cameras, etc.

Whatever source you choose for your home theatre enjoyment, BeoSystem 3 will analyse and optimise all incoming signals and deliver the best possible sound and picture to your BeoVision screens, projector(s) and loudspeakers. It works particularly well with BeoVision 4, yet is designed to drive a variety of output hardware.

It is able to output up to one billion colours on BeoVision 4 and manage sound through BeoLab speakers as Dolby Digital 5.1, and 6.1/7.1 Ex, DTS 5.1, DTS ES Matrix/Discrete 6.1 or Dolby Pro Logic IIx. Whatever you can imagine, BeoSystem 3 will most likely to be able to handle it and surround you with sound.

State-of-the-art digital image and sound processing and total integration of all of the above sources, screens and loudspeakers is exactly what the new BeoSystem 3 is created to do. While you watch it, BeoSystem 3 watches the room. Using Automatic Picture Control, it measures the effects of ambient light in your room and adjusts contrast and brightness accordingly.

Put your BeoVision 4 and your projection screen on different walls and still enjoy perfect surround sound. BeoSystem 3 will turn the sound around for you to set the perfect stage.

BeoSystem 3 will even let you enjoy dual subwoofers for even better low frequency perception, literally making your walls tremble bringing the experience inside.

Dimensions

The BeoSystem 3 is a compact component with a true Bang & Olufsen design. The aluminium cabinet includes a cable management tray so it may be placed in the open if desired. It may also be concealed, so the dimensions here are with and without the cable tray attached:

BeoSystem 3 component (H x W x D): 28.6 x 47 x 10 cm

BeoSystem 3 w / cable tray (H x W x D): 33.7 x 53.4 x 10 cm

Note that the unit can be wall-mounted or stored in a cabinet in an upright position. The dimensions would then be (W x D x H) 535mm x x 100mm x 335mm.

BeoSystem 3 Product Specifications

Designer: David Lewis

Manufactured: 2006 – present

Colours: Silver

Cabinet finish

Aluminium/black
Mains voltage range

US/Japan 100 – 127 V +10 / -15% 50-60
EU 200 – 240 V +10 / -15% 50-60 Hz
Power consumption

EU: 43W / Standby 0.8W
US, JP, KOR : 37W / Standby 0,8W
Terminal included

Beo4
Aspect ratio

16/9
Resolution

Up to 1080P
Formats

480i, 480P, 576i, 576P, 720P, 1080i, 1080P
Viewing Formats

Format 1: 16/9 Panorama, 4/3
Format 2: Letterbox + Soft Scroll.
Format 3: 16/9
HD-Ready

Yes
VisionClear

Adaptive Black, Blue Stretch, Comb filter, Digital Adaptive Dynamic Luminance Peaking, Digital Adaptive Noise Reduction, Digital Color Transient Improvement, Film Mode, Vertical Peaking, Automatic Picture Control, Source Quality Measurements, Dynamic Contrast
Teletext

Level 2 1/2, 9 memory pages per programme.
2048 pages.
National character-set
Tuning

EU: 99 programmes, autotune, programme move and automatic naming
Japan: Channel 1-62 and Channel C13-C38
US, Korea: Cable TV 1-125, Off Air TV 2-69
TV SYSTEM:

EU: B/G/L/L/I/D/K PAL, SECAM, NTSC on AV. According to type
Japan, US, Korea: NTSC (M)
Stereo decoders

EU: A2+Nicam Stereo
Japan: EIA-J Stereo
US: BTSC Stereo, SAP
Korea: A2 Stereo
Options

O, 1, 2, 4, 5 ,6
Menu languages

EU: English, Danish, Dutch, Spanish, Italian, German, French, Swedish
Japan, US, Korea: English
PIN-code protection

YES
System modulator:

System modulator output to link room (BeoLink Video Distribution)
Frequency range

471 – 855 MHz (in 1 MHz step), Dual side band
Audio

Mono, FM sound system G : 5.5MHz or FM sound system I : 6MHz depending on setup.
Dolby® Digital Decoder:


Decoding capabilities

Dolby Digital 5.1/6.1 EX, Dolby 7.1 EX, Dolby Pro-Logic
ll/llx, DTS 5.1. DTS ES 6.1, DTS Neo:6,
Connections :
– Digital audio input
– External Beolab speakers

Coax
Powerlink
Peripheral Unit Controller:

Built in – (IR-blaster included).
Controlling sources and displays with Beo4

Supported sources: See list at BeoWise (via internet).
Connection

7 x mini jack

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BeoSystem 3 User guide DVB-T/S

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BeoVox RL 45

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BeoLab 10

BeoLab 10

BeoLab 10

Big sound in a slender package

BeoLab 10 is a powerful new centre speaker which perfectly matches the slim design and awesome picture quality of BeoVision 4. The big internal speaker volume and digital ICEpower amplifiers offer performance that can measure up to any surround sound set-up, even complementing the mighty BeoLab 5 without running out of steam. And though BeoLab 10 has a slender, wall-hugging profile, it has still been possible to fit the case with Acoustic Lens Technology, delivering detailed sound to everyone in the audience.

Iconic symmetry

A wall-mounted BeoVision 4 is not only the perfect partner for the BeoLab 10, it is the screen the speaker was designed for. Together they form a very distinct whole, making it hard to believe that they where not developed at the same time. The synergy of the basic shapes – the square and the triangle – is iconic Bang & Olufsen television design. So simple, yet so effective.

Focus on the centre

Every movie genre sets new challenges for dialogue reproduction, from breakneck exchanges in a comedy to delicate undertones in a drama. In a surround sound setup, as much as eighty percent of voice information goes through the centre channel. Voices and other crucial sound information should appear to come directly from the screen and be every bit as clear and dynamic as the most demanding piece of music. BeoLab 10 draws on Bang & Olufsen’s unrivalled expertise in all-purpose sound and is fitted with our best technology. The next time you watch a movie, you won’t miss a whisper.

Mounting Options

The wall mount bracket for BeoLab 10 is supplied with the speaker from the factory.

BeoLab 10 Product Specifications

Designer: David Lewis

Manufactured: 2008 – present

Colours: Silver-Black / Black

DIMENSIONS (WxHxD)
MOUNTED W/BEOVISION 4-50”
95 x 48 x 13 cm (36 x 19 x 5 in)
MOUNTED W/BEOVISION 4-65”
95 x 48 x 19,5 cm (36 x 19 x 7,5 in)
WEIGHT 16 kg (35.5 lbs)
CABINET FINISH MDF and aluminium coated with
hard-wearing soft-touch lacquer.
FRONT GRILL CLOTH Silver/black, black (dark grey, red
and blue will be introduced at a later date)
POWER CONSUMPTION Typical 15 W
Standby < 0.3 W
AMPLIFIER 2 x 250 W ICEpower
LONG-TERM MAX. OUTPUT POWER Treble: 200 W / 8 ohm
Bass: 200 W / 8 ohm
EFFECTIVE FREQUENCY RANGE 45 – 20.000 Hz
CROSSOVER FREQUENCY 2000 Hz
CABINET PRINCIPLE Closed box
NET VOLUME, BASS 11 litres
MAGNETICALLY SHIELDED No
WOOFER 1 x 125 mm (5 in) cone, 6 ohm
TWEETER 1 x 19 mm (¾ in) dome, 8 ohm
BASS EQUALIZATION Free – Wall switch
INPUT SENSITIVITY (POWER LINK) 88 dB at 125 mV
PROTECTION Thermal protection
ABL (Adaptive Bass Linearization)

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BeoGram 1900

BeoGram 1900

BeoGram 1900

The top of the range of the radial turntables at this time, it was differentiated only by a different pick up and a weighted platter from the lesser models. As with all this range, fully automatic and cleverly designed to look even lower than it actually was!

Would you like to write a review of this product? Do you have any further Images or Technical Specifications?

If so – please forward them to us so we can add them to our database and share them with fellow Bang & Olufsen enthusiasts around the world. Your name will also appear in the Author Notes section at the bottom of the page!

Mounting Options

Bang & Olufsen’s preferred supplier for brackets and stands, STBbrackets, have made a wall mount solution as a general option for Bang & Olufsen Turntables. Distributed throughout the World by the Bang & Olufsen store network, the STB option adds to the diversity of mounting options and positions available.

»Wall Mounting Bracket

Wall Bracket / Shelf for BeoGram

A universal shelf that will support all Bang & Olufsen turntables from the past 30 years. Including three cable entry points to allow you to bring cables from below the shelf or through the wall.

BeoGram 1900 Product Specifications

Type: 5701 (1976 – Aug 1977)
Type: USA 5702 (1976 – March 1977)

Designer: Jacob Jensen

Manufactured: 1976 – 1977

Colours: Rosewood, Teak, White

Sound system Stereo, matrix
Speeds: 33 – 45 rpm
Tonearm: radial
Automatic pickup movement: Yes
Automatic speed selection: Yes
Output: 2 x 0.6 mV

Wow and flutter DIN: < +/- 0.07 %
Rumble DIN unweighted: > 42 dB
Rumble DIN weighted: > 62 dB
Speed deviation: < 0.1 %
Speed control range: > 3 %
Dial for speed stroboscope: 120mm

Pick-up cartridge: MMC 4000
Recommended stylus pressure: 1 g
Stylus pressure range: 0 – 2.5 g
Stylus: elliptical naked diamond
Radius of curvature: 5 x 17 µm
Frequency range: 20 – 25,000 Hz +/- 2.5 dB Tracking error < 0.126 / cm°
Lift system Mechanical
Antiskating Inclined channelling inside bearing
Motor Asynchronous
Drive system Idler wheel and belt
Turntable 30cm/1 kg

Power supply: 110 – 220 V
Power consumption: 10 W
Dimensions W x H x D: 44 x 9 x 33cm
Weight 6 kg

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BeoPlay A9

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BeoGram 1902

BeoGram 1902

BeoGram 1902

Beogram 1902 was a newly developed (1979/80) fully automatic, hi-fi stereo record player with Electronic Servo Drive (ESD) which meant that you never had to adjust speed. The Beogram 1902 did that automatically. It was resistant to variations in the mains current.

All functions were chosen via the single rectangular operating panel; Beogram 1902 did the rest. It was resistant to vibrations and shock because it rotatory mechanism and pickup arm had an efficient spring suspension. The pickup was so light that even warped records could be tracked. In fact, the arm was so light and the pickup’s diamond stylus so highly polished that it would not audibly damage your record even if the arm was thrown against the grooves.

The cartridge was the MMC 4000 which had a naked elliptical stylus. Recommended stylus pressure was 1,0g and frequency range was 20 – 25000 Hz.

Mounting Options

Bang & Olufsen’s preferred supplier for brackets and stands, STBbrackets, have made a wall mount solution as a general option for Bang & Olufsen Turntables. Distributed throughout the World by the Bang & Olufsen store network, the STB option adds to the diversity of mounting options and positions available.

»Wall Mounting Bracket

Wall Bracket / Shelf for BeoGram

A universal shelf that will support all Bang & Olufsen turntables from the past 30 years. Including three cable entry points to allow you to bring cables from below the shelf or through the wall.

BeoGram 1902 Product Specifications

Type: 5711 (1977 – Dec 1978)
Type: F 5718 (1977 – Sept 1978)

Designer: Jacob Jensen

Manufactured: 1977 – 1978

Colours: Rosewood, Teak, White, Oak

Sound system Stereo, matrix
Output DIN 8.5 mV /47 kohms
Speeds 33 – 45

Tonearm: radial
Stylus pressure range 0 – 2 g

Automatic record-size: Yes, 17 and 30 cm
Automatic pickup movement Yes
Automatic speed selection Yes

Pickup: MMC 4000
Recommended stylus pressure: 1 g
Stylus: elliptical naked diamond
Radius of curvature: 5 x 17 µm

Wow and flutter, DIN: < +/- 0.06 %
Rumble DIN unweighted: > 43 dB
Rumble DIN weighted: > 63 dB
Speed deviation: < 0.05 %
Speed control range: > +/- 3 %

Tracking error: 0.126°
Lift system: mechanical
Antiskating: Yes, automatic

Motor: Servo controlled DC
Drive system Flat belt

Turntable: 30 cm / 0.8 kg

Power supply: 220 (110 – 130 – 240) V
Power consumption 8 W

Dimensions: 44 x 8.5 x 33cm
Weight 6 kg

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BeoCenter 2300 DAB

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BeoGram 1800

BeoGram 1800

BeoGram 1800

This radial-tracking deck combined ease of operation with superb performance specifications. It featured a new, advanced type of tone arm carrying the remarkable MMC5 pick-up with its unframed, elliptical diamond stylus. The platter was of a lightweight design (400 grams) to reduce torque at starting.

Its carefully milled profile, with large metal surfaces set between slim bands of Nextell, ensured high electrical capacitance between the record and the metal, effectively earthing static charges without actual contact. It was driven by a flat rubber belt from a tacho-controlled DC motor. The belt’s compliance acted as a mechanical filter, preventing motor vibrations from reaching the record and stylus.

To complement this improved arm/cartridge combination Beogram 1800 had a new faster-acting movement control system with separate cam wheels for vertical and horizontal arm movement, so that automatic operation gave you music within a very few seconds. So cueing was really fast, but still careful of your records.

For improved record safety, you could operate normal PLAY and STOP functions while the lid was closed. Just one touch – the rest was automatic. Record size and speed was identified by the Beogram’s logic circuits. Beogram 1800’s slim plinth had a brushed aluminium finish.

Opening the lid gave access to three further function controls: CUE, 33 and 45 speed overrides (for non-standard discs).

Beogram 1800 was designed by Jacob Jensen and at the 1969 Hanover Fair Bang & Olufsen and Jacob Jensen were presented with the iF award for no less than 4 products for ‘outstanding industrial design’ including Beogram 1800.

Types: 5811 (1984 – Aug 1984); USA 5813 (1984 – Feb 1986)

These are probably the slimmest looking record player available. Quite a bit of this is down to clever visual tricks and surprisingly, the decks related to this model all looked thicker. It sold well and may were bought to work with non B&O systems. It shared the excellent suspension of its predecessors and had the new cartridge mounting. Now available for little money, this is a superb sounding deck. Highly recommended.

Mounting Options

Bang & Olufsen’s preferred supplier for brackets and stands, STBbrackets, have made a wall mount solution as a general option for Bang & Olufsen Turntables. Distributed throughout the World by the Bang & Olufsen store network, the STB option adds to the diversity of mounting options and positions available.

»Wall Mounting Bracket

Wall Bracket / Shelf for BeoGram

A universal shelf that will support all Bang & Olufsen turntables from the past 30 years. Including three cable entry points to allow you to bring cables from below the shelf or through the wall.

BeoGram 1800 Product Specifications

Types: 5811, 5813, 5814, 5815

Designer: Jacob Jensen

Manufactured: 1984 – 1986

Colours: Aluminium

Bearing: Knife vertical, ball horizontal
Tracking force range: 0-20 mN/2g
Tracking error: 0.11 degrees/cm
Antiskating: Integrated in tone arm system
Arm friction vertical: 0.019 mN
Arm friction horizontal: 0.19mN
Arm length: 229mm
Wow & flutter DIN: <+/- 0.09%
Wow & flutter WRMS: <+/- 0.045%
Speeds: 33 – 45 rpm Rumble weighted: >62 dB
Rumble unweighted: >42 dB
Speed deviation: <+/- 0.1%
Drive system: electronic servo drive & belt
Motor: DC Tacho
Power supply: 180 – 265 (110) V
Pickup: MMC5
Power frequency: 60-60Hz
Power consumption: 8 watts
Dimensions WxHxD: 44 x 8,5 (37cm with lid raised) x 33cm
Weight: 6kg
Finish: Aluminium

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BeoGram 1700

BeoGram 1700

BeoGram 1700

Beogram 1700 combined ease of operation and advanced technology in a simple, matter-of-fact way. To play a record, all you had to do was press ’33’ or ’45’ and let the Beogram do the rest. At the end of play the pickup arm returned to its resting position and the motor switched off.

The anti-skating device worked automatically. Another advantage of the simple, integrated design was immunity to external shock and vibrations. The electronic servo drive system ensured correct rotary speed at all time.

The low mass, low inertia pick-up arm with its plug-in MMC 20S cartridge made it virtually impossible to scratch records.

Beogram 1700 could be made up as part of the Beosystem 1700 or Beosystem 2600, when linked together with other compatible Bang & Olufsen products.

This is quite possibly the best value Beogram made. It has excellent sound and vibration isolation, a very simple and lightweight arm, easy to use and understand controls and is elegant both in looks and operation.

Blindfold, the sound quality is quite frankly indistinguishable from the higher models and it is far more likely to work. Weak spots are few but record support would probably be the main issue. A felt mat suitably cut could well improve record support qualities.

Mounting Options

Bang & Olufsen’s preferred supplier for brackets and stands, STBbrackets, have made a wall mount solution as a general option for Bang & Olufsen Turntables. Distributed throughout the World by the Bang & Olufsen store network, the STB option adds to the diversity of mounting options and positions available.

»Wall Mounting Bracket

Wall Bracket / Shelf for BeoGram

A universal shelf that will support all Bang & Olufsen turntables from the past 30 years. Including three cable entry points to allow you to bring cables from below the shelf or through the wall.

BeoGram 1700 Product Specifications

Type: 5731 (1980 – Aug 1983)
Type: 5733 (1980 – April 1983)

Designer: Jacob Jensen

Manufactured: 1980 – 1983

Colours: Rosewood, Teak, White

Speeds/control range 33 – 45 rpm
Wow and flutter DIN < +/- 0.09 %
Rumble weighted > 62 dB
Rumble unweighted > 42 dB
Motor Servo controlled DC
Drive system Belt
Tonearm Radial, low mass

Pickup:
Recommended tracking force MMC 20 S/E 15 mN / 1.5 g
Tracking force range: 0 – 20 mN / 2 g
Tracking error 0.11° /cm

Power supply (50 – 60 Hz)/ 180-265 V / 8 W
Dimensions W x H x D 44 x 8.5 x 33cm
Weight 6 kg

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User Guide

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BeoGram 1700 User Guide

BeoCenter 3300

BeoCenter 3300 Beocenter 3300 combined a powerful AM/FM stereo receiver with an automatic record player.…

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BeoGram 1600

BeoGram 1600

BeoGram 1600

Beogram 1600 was manufactured primarily for the US and French markets; therefore in the overall scheme of things, there weren’t many of these around. A fairly basic machine, Beogram 1600 was designed for use within the Beomaster 1600 and Beocord 1600 system when it complemented these other products nicely. It fitted with the MMC 20E combined cartridge/stylus.

Seems to be a very uncommon model in Europe.

BeoGram 1600 Product Specifications

Type: US 5712 (1978 – Jan 1986)
Type: F 5713 (1980 – Jan 1983)

Designer: Jacob Jensen

Manufactured: 1978 – 1986

Colours: Rosewood, Teak, White

Speeds / control range 33 – 45 rpm. / > +/- 3 %
Wow and flutter, DIN < +/- 0.09 %
Rumble weighted > 62 dB
Rumble unweighted > 42 dB
Motor / drive system: Servo-controlled DC / Belt

Pickup: MMC 20 E
Recommended tracking force 15 mN / 1.5 g

Power supply:
5712: 120V
5713: 220V
Power consumption 8 W
Dimensions W x H x D / Weight 44.5 x 8.9 x 33 cm / 6 kg


Type: US 5712 (1977 – Dec 1978)
Speeds / control range 33 – 45 rpm. / > +/- 3 %
Wow and flutter, DIN < +/- 0.09 %
Rumble weighted > 62 dB
Rumble unweighted > 42 dB

Motor / drive system: Servo-controlled DC / Belt

Pickups: MMC 20 E
Recommended tracking force 15 mN / 1.5 g

Power supply: 120 V
Power consumption 8 W
Dimensions: W x H x D / Weight 44.5 x 8.9 x 33 cm / 6 kg

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BeoGram 1600

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BeoLit 1000

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BeoGram 1500

BeoGram 1500

BeoGram 1500

Beogram 1500 is the acclaimed Beogram 1000 3-speed stereo record player equipped with a built-in stereo output amplifier delivering 2 x 8 watts of audio output. The Beogram 1500 has no built-in loudspeakers but may be se with external speakers e.g. the Beovox 800 or the Beovox 1000.

The Beogram 1500 has jacks for radio and for tape-recorder – the Beocord 1500 de Luxe would be particularly suitable. If you use the Beogram 1500 in connection with an FM tuner e.g. the Beomaster 5000, you have a small but complete hi-fi system.

The Beogram 1500 has separate adjustment knobs for volume (with built-in balance adjustment), bass and treble. Pushbutton panel for control of on/off, tape recorder, radio, and gramophone. All these functions are conventionally placed on the top of the instrument. Built-in voltage selector for switching between 110, 130, 220 and 240 volts AC. The Beogram 1500 is very elegantly designed and has a transparent dust cover

In the real world, this is a Beogram 1000 with a rather nice 8W per channel amplifier attached. There are two types with the later ones using the same amplifier as the very upmarket Beocord 2400 reel to reel deck. Surprisingly good though the isolation of the deck was no better.

Mounting Options

Bang & Olufsen’s preferred supplier for brackets and stands, STBbrackets, have made a wall mount solution as a general option for Bang & Olufsen Turntables. Distributed throughout the World by the Bang & Olufsen store network, the STB option adds to the diversity of mounting options and positions available.

»Wall Mounting Bracket

Wall Bracket / Shelf for BeoGram

A universal shelf that will support all Bang & Olufsen turntables from the past 30 years. Including three cable entry points to allow you to bring cables from below the shelf or through the wall.

BeoGram 1500 Product Specifications

Type: 5208 (1967 – Dec 1973)
Type: 5230 (1967 – Dec 1973)

Designer:

Manufactured: 1967 – 1973

Colours: Rosewood, Teak

Speeds:
78 – 45 – 33,3 rpm
Rumble Better than 55 dB
Wow and flutter +/- 0.15 % peak value

Power output: 2 x 8 W continuous
Frequency Response 20 – 20,000 Hz +/- 2 dB
Distortion Lower than 1 % at 5 W
Signal-to-noise ratio 60 dB linear
Channel separation 40 dB at 1000 Hz
Tone control Bass control range: +/- 10 dB at 50 Hz
Treble control range: +/- 10 dB at 10,000 Hz Pickup arm: ST/L – 15°
Pickup: SP 14 A
Stylus pressure: 1.5 – 2.5 g
Voltage: 110 – 130 – 220 – 240 V AC
Power consumption 15 – 50 W

Dimensions W x H x D: 47.4 x 15.2 x 34.9cm
Weight 13 kg

External connection:
Inputs Radio: 150 k ohms – 4,5 mV /1000 Hz
Tape recorder: 50 ohms – 50 mV /1000 Hz
Outputs Speakers, left and right channels, 3-8 ohms
Tape recorder: 22 k ohms – 100 mV /1000 Hz

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BeoGram 1500 Brochure

Service Manual

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BeoGram 1500 Service Manual

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BeoGram 1202

BeoGram 1202

BeoGram 1202

The Beogram 1202, although looking very similar to the earlier Beogram 1200, was an entirely new record deck and was far more sophisticated than the earlier model. It continued with the multi-peg system of record support – possibly the decks greatest weakness – and also lacked the hinged lid of the Beogram 3000 to which it was otherwise practically identical. This is the 1200 type deck to own!

The operating system was simplified from the 1200 though the same arm and motor were used. The suspension was however far better – imagine this deck as a Beogram 3000 with a silly platter and a less useful lid and you will not be far wrong. It is however the best of the ‘peg platter’ decks. Very collectible.

________________________

Mounting Options

Bang & Olufsen’s preferred supplier for brackets and stands, STBbrackets, have made a wall mount solution as a general option for Bang & Olufsen Turntables. Distributed throughout the World by the Bang & Olufsen store network, the STB option adds to the diversity of mounting options and positions available.

»Wall Mounting Bracket

Wall Bracket / Shelf for BeoGram

A universal shelf that will support all Bang & Olufsen turntables from the past 30 years. Including three cable entry points to allow you to bring cables from below the shelf or through the wall.

BeoGram 1202 Product Specifications

Type: 5237 (1972 – Aug 1974)

Designer: Jacob Jensen

Manufactured: 1972 – 1974

Colours: Rosewood, Teak,White

Speeds: 33,3 and 45 rpm
Rumble Better than 60 dB (DIN B)
Wow and flutter Better than +/- 0.15 % peak value (DIN), corresponding to +/- 0.06 % rms
Vernier adjustment 6 %

Antiskating: built-in
Stylus presurre adjustment 0 – 3.5 g (ponds)
Pickup SP 14 A
Stylus pressure 2 g (p)
Voltage: 110 – 130 / 220 – 240 V AC
Power consumption 10 W

Output: 5 mV – 1000 Hz / 47 kohms

Dimensions W x H x D 44 x 12 x 33cm
Weight 9 kg

Upgrade your membership to view documents​

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User Guide

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BeoGram 1202 user Guide

Service Manual

Multi

BeoGram 1202 Service Manual

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