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BeoGram 3000

BeoGram 3000

BeoGram 3000

Beogram 3000 was an automatic high-fidelity stereo record-player with specifications which easily complemented those of Beomaster 3000-2.

It was fitted with an SP 12A pick-up cartridge which had an elliptical naked diamond stylus, with a stylus pressure of 1,2g. Frequency range was 20 – 25000 Hz ±3 dB and distortion was lower than 1%. Wow and flutter was less than ±0.09% and rumble was better than 62dB. Beogram 3000 was easy to operate: you simply selected the size of record you intend to play – 7″, 10″ or 12″ – and press a button. The record-player automatically selected the record speed, 33 or 45 rpm, and lowered the pick-up into the first groove.

When the record ended, the pick-up arm lifted up, returned to its resting position and the turntable switched off. The turntable and pickup arm had a pendulum suspension which made the record-player insensitive to vibrations. The deep furrows in the turntable made it easy to pick up records. A hinged dust lid was fitted; it could be set at any angle up to around 60 degrees or completely removed by a simple sliding action.

Mounting Options

Bang & Olufsen’s preferred supplier for brackets and stands, STBbrackets, have made a wall mount solution as a general option for Bang & Olufsen Turntables. Distributed throughout the World by the Bang & Olufsen store network, the STB option adds to the diversity of mounting options and positions available.

»Wall Mounting Bracket

Wall Bracket / Shelf for BeoGram

A universal shelf that will support all Bang & Olufsen turntables from the past 30 years. Including three cable entry points to allow you to bring cables from below the shelf or through the wall.

BeoGram 3000 Product Specifications

Type: 5210 (1972 – Dec 1975)
Type: 5211 (1972 – Dec 1975)
Type: 5228 (1972 – Sept 1975)
Type: 5241 (1972 – Sept 1975)
Type: USA 5231 (1972 – Sept 1975)

Designer: Jacob Jensen

Manufactured: 1972 – 1975

Colours: Rosewood, Teak

Speeds: 33,3 and 45 rpm
Rumble Better than 60 dB (DIN B)
Wow and flutter +/- 0.06% RMS



Vernier adjustment 6%
Antiskating device: built-in
Stylus pressure adjustment 0 – 3.5 g (ponds)
Pickup: SP 12 A
Stylus pressure 1.2 g (pond)
Output: 5 mV – 1000 Hz / 47 k ohms
Voltage: 110 – 130 / 220 – 240 V AC
Power consumption: 10 W
Dimensions W x H x D 44 x 11.5 x 33cm
Accessories: Pre-amplifier Type 8905306

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BeoCenter 8000

BeoCenter 8000

BeoCenter 8000

Beocenter 8000 gave you a powerful receiver – with CD player and cassette recorder hidden under covers which glided to the side when you wished to use them. Bang & Olufsen’s high quality and distinguished design made a dexterous duo with this Beocenter. Grace and simplicity emphasised Bang & Olufsen’s basic principle that technology exists for the sake of humankind – and not the other way around!

Easy Operation:

Light touches on Beocenter 8000 gave you free access to the simple operation. The illuminated display led you through all the functions by showing you what to do at every step. If you preferred, you could also use Beolink 1000 which controlled all the functions from a distance.

FM/AM Receiver:

At the core of Beocenter 8000 was the receiver – the ‘command centre’ of the system. Here you could preset up to 20 FM/AM stations which you could locate easily by choosing a number from 1 – 20 on the display panel.

CD player:

Beocenter 8000’s CD player accepted both 12cm and 8cm compact discs. At any time, you could choose a single track, or change the order in which you wanted to hear the tracks. The option was there too to skip a track.

Cassette recorder:

Both recording and playback on the cassette recorder in the Beocenter 8000 offered the highest quality. One reason was Bang & Olufsen’s patented HX-PRO system which ensures optimal sound reproduction, particularly in the sensitive treble range.

When you were listening to a tape, you could change the listening order of the tracks. You could skip individual tracks, or skip to a certain track regardless of where it was on the tape. Auto Reverse is so sophisticated that you will never hear the tape change sides unless you really listen for it.

The cassette recorder automatically registered the type of tape you were using. And you could choose Dolby B or Dolby C Noise Reduction when you recorded.

Connections: Beocenter 8000 had connections for an extra cassette recorder plus two pairs of speakers. Thee was also a contact for you to connect a turntable, for example Beogram 9500.

Features: CD player with programming, tape recorder with auto reverse, FM/AM radio, finger touch control, optional Beolink 1000 remote control operation, connections for headphones, optional BeoStand.

BeoCenter 8000 Product Specifications

Type: EU 2551
Type: EU 2552

Designer: Jacob Jensen

Manufactured: 1992 – 1993

Colours: Grey

Amplifier:
Long-term max. output power IEC 2 x 80 watts / 8 ohms
Total harmonic distortion IHF < 0.1 % & 30 watts 20 – 20,000 Hz
Dynamic headroom 1 dB / 8 ohms
Intermodulation IHF < 0.1 %

Bass control at 40 Hz: +/- 10 dB
Treble control at 12,500: Hz +/- 8 dB

Tuner:
FM range 76 – 90 MHz (Type 2509, 2513)
87.5 – 108 MHz (Type 2506, 2508, 2510, 2511, 2512, 2514)
LW range 2506, 2511: 150 – 350 kHz
MW range 2506, 2508, 2509, 2510, 2511, 2512, 2513, 2514520 – 610 kHz

Tape recorder:
Compact cassette C46 – C120
Recording system HX PRO
Tape head Sendust
Wow and flutter DIN < 0.15 %
Frequency range chrome 30 – 18,000 Hz +/- 3 dB Signal-to-noise ratio CCIR/ARM
Metal Dolby NR B:>64 dB, C: >73 dB
Chrome Dolby NR B:>65 dB, C: >74 dB
Ferro Dolby NR B:>63 dB, C: >72 dB
Compact disc player:
Frequency range 3 – 20,000 Hz +/- 0.3 dB
Signal-to-noise ratio > 100 dB / 110 dB A-weighted
Dynamic range > 96 dB
Harmonic distortion 0.0025 % at 0 dB
0.0025 % at -20 dB
Channel separation > 101 dB
Converter system 2 x 16 bit, 4 x oversampling
Low pass filter analogue Bessel

Power supply: 110 – 130 – 220 – 240 voltage switch
Power consumption: max. 200 W
Dimensions W x H x D: 76 x 11 x 34 cm
Weight 14 kg

Connections: Audio Link Tape 2, Phono (RIAA built-in)
Audio Aux Link Beovision, 7-pin
Speaker Beovox speakers, 2 sockets 2-pins

Link compatibility: None

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BeoCenter 8500

BeoCenter 8500

BeoCenter 8500

The mirrored exterior of aluminium and smoked glass gave no hint of the power hidden beneath the surface of Beocenter 9500. Central to the concept was the AM/FM receiver. On the flanks, CD player and cassette recorder awaited their turn in the spotlight. When they were needed, a light touch on the display panel was all that was required to make lids glide to the side giving immediate access to disc or cassette. The Beocenter was designed by Jacob Jensen and was the direct descendant of Beocenter 9000. The two models features here were superceded in 1994 by Beocenter 9300.

Simple logical operation

A light touch directly on Beocenter 9500 was all you needed to access its operation. The illuminated display led you logically through the programming and other functions always showing you what to do next. This ease and simplicity of use was the first impression you obtained of the music system. And equally easy to use was the optional remote control Beolink 1000 terminal.

Entertainment and information from three reliable sources

You could preset up to 20 FM and AM stations on the Beocenter 9500 receiver. And when you made your choice, search and fine tuning were completely automatic. Also, you could preset the receiver to switch on automatically to catch the news, or perhaps a favourite serial at just the right time. If you were out, the cassette recorder could be programmed to record and you could play back at your leisure.

You could also use the Beocenter 9500 receiver as a guaranteed alarm. In the event of a power failure during the night, the clock instantly switched to its own built-in batteries to ensure that you awoke at just the right time.

The CD player which accommodated both 12cm and 8cm compact discs was also ready for your commands. It gave you instant access to a specific track anywhere on the disc and allowed you to change the order in which the tracks were played, or to simply choose only those tracks you wished to listen to. Technology at its most convenient best. When used with Beogram 9500 the music system was known as Beosystem 9500.

The fine art of control of Beocenter 8500 & 9500

The unfailing sensi-touch control of the Beocenter 9500 works through a condenser effect. A graphite area is printed on the underside of the glass panel, and charged with a high frequency current. Even the lightest touch of a finger will spark the reaction.

Beocenter 8500

For individuals who could live without time-programming but wanted the advanced features of the Beocenter 9500, Bang & Olufsen created the Beocenter 8500. There was no difference in the quality of the sound, but the cabinet was finished in a soft grey as an alternative to the polished aluminium finish of Beocenter 9500.

BeoCenter 8500 Product Specifications

Type: EU 2506 (1989 – Feb 1994)
Type: GB 2507 (1989 – Dec 1993)
Type: AUS 2510 (1989 – Dec 1993)
Type: J 2509 (1989 – Dec 1993)
Type: US 2508 (1989 – Dec 1993)

Designer: Jacob Jensen

Manufactured: 1989 – 1992

Colours: Grey

Amplifier:
Long-term max. output power: IEC 2 x 80 watts / 8 ohms
Total harmonic distortion IHF: < 0.1 % & 30 watts 20 – 20,000 Hz
Dynamic headroom 1 dB: / 8 ohms
Intermodulation IHF: < 0.1 %

Bass control at 40 Hz: +/- 10 dB
Treble control at 12,500 Hz: +/- 8 dB

Tape recorder:
Compact cassette C46 – C120
Recording system HX PRO
Tape head Sendust
Wow and flutter DIN < 0.15 %
Frequency range chrome 30 – 18,000 Hz +/- 3 dB
Signal-to-noise ratio CCIR/ARM
Metal Dolby NR B:>64 dB, C: >73 dB
Chrome Dolby NR B:>65 dB, C: >74 dB
Ferro Dolby NR B:>63 dB, C: >72 dB
Power supply: 110 – 130 – 220 – 240 voltage switch
Power consumption Max. 200 W
Dimensions W x H x D 76 x 11 x 34cm
Weight 14 kg

Tuner:
FM range: 76 – 90 MHz (Type 2509, 2513)
87.5 – 108 MHz (Type 2506, 2508, 2510, 2511, 2512, 2514)
LW range 2506, 2511: 150 – 350 kHz
MW range 2506, 2508, 2509, 2510, 2511, 2512, 2513, 2514520 – 610 kHz
Compact disc player:
Frequency range 3 – 20,000 Hz +/- 0.3 dB
Signal-to-noise ratio > 100 dB / 110 dB A-weighted
Dynamic range > 96 dB
Harmonic distortion 0.0025 % at 0 dB
0.0025 % at -20 dB
Channel separation > 101 dB
Converter system 2 x 16 bit, 4 x oversampling
Low pass filter analogue Bessel

Connections: Beocord Tape 1 Built-in
Beocord Tape 2 7-pin DIN, Datalink
Beogram CD Built-in
Beogram LP 7-pin DIN, Datalink
BeoLab 2 x Power Link
Beovox 4-pin DIN
Beovision 7-pin DIN, Datalink

Link compatibility: Master Control Link

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BeoCenter 9300

BeoCenter 9300

BeoCenter 9300

Beocenter 9300 really defined the word ‘classic’. It was for those who preferred to enjoy the music rather than to pore over the product manual. The design of the 9300 was around for many years before production ceased in the late 1990’s. It was available in many different versions; for example 8000, 9000, 9500 and the this last version: Beocenter 9300.

The differences between the 9500 and the 9300 was that the 9300 had a new and improved CD mechanism fitted which was faster than the previous versions. Some minor differences were that the 9300 lacked two-way remote communication and an equalizer loop-through. However, the 9300 still is still among the Bang & Olufsen greats!

BeoCenter 9300 could operate with active as well as passive loudspeakers. A mere touch activated BeoCenter 9300 and a line of sensi-touch options glowed on the lower glass display. The 9300 was a complete music system for people who prefer to enjoy music rather than poring over a product manual.

Features:

2 x 80 watt amplifier, CD player with programming, tape recorder with auto reverse, FM/AM radio with 30 preset stations, finger touch control, optional Beo4 remote control operation, connections for Beolink® and headphones, Master Control Link. There was also the option of using the BeoCenter with or without active speakers, such as BeoLab 4000 (shown above). A stand could also be bought as a separate item

BeoCenter 9300 Product Specifications

Type: EU 2516 (1993 – May 2001)
Type: AUS 2520 (1993 – Jan 2000)
Type: GB 2517 (1993 – Nov 2000)
Type: J 2519 (1993 – April 2000)
Type: TAI 2553 (1996 – Jan 1999)
Type: US 2518 (1993 – Dec 1999)

Designer: Jacob Jensen

Manufactured: 1993 – 2000

Colours: Aluminium

Compact disc: built-in
Disc size 12 cm, 8 cm
Frequency range 20 – 20,000 Hz, +/- 1 dB
Signal-to-noise ratio Typical 101 dB, A weighted
D/A converting Bitstream, Analogue filtration
Features: Edit

Dimensions W x H x D 76 x 11 x 34
Weight 14 kg
Cabinet finish: Aluminium

Tuner: built-in
Pre-tuned radio programmes: 30 FM or AM
Radio ranges: FM-LW-MW
Tape Recorder: built-in
Recording system: HX PRO
Tape transport: Auto reverse
Noise reduction: Yes
Frequency range: 50 – 14,000 Hz
Signal-to-noise ratio: > 65 dB, Noise reduction, chrome

Power amplifier: built-in
System frequency range 20 – 20,000 Hz
Long-term max. output 2 x 80 W/ 8 ohms
Harmonic distortion < 0.1 %, 30 W

Power consumption Typical 25 watts/standby <2 watts

Type no. 2516 EU 230 V
2517 GB 240 V
2518 US-CND 120 V
2519 J 100 V
2520 AUS 240 V
2553 TWN 120 V
2554 KOR 120 V

Connections: Power Link 2
TV/AUX 1
FM aerial, 75 ohms 1
AM aerial (Dedicated) 1
Speaker Link 2
Master Control Link (MCL) 1
Tape 2 / Phone 1
Headphone / Jack 1Beolink
Master Control Link
Master Link (via Beolink Converter)
Remote Control: Beo4

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BeoCenter 9000

BeoCenter 9000

BeoCenter 9000

In the BeoCenter 9000 Jensen radicalised the basic ideas that had asserted themselves in the BeoMaster 1900. It was given two ‘angles’ but it is close to being merely a horizontal, floating, blank surface. The flush concept was taken a step further: now everything is entirely flat, nothing projects. Not even the lids on the CD player and the tape recorder rise at any time above their own level, but slip quickly and noiselessly to one side. Communication with the apparatus is reduced to two black glass sheets, one for input and one for output.

The cool, clean design – at once both peaceful and effective in appearance – reflects the rational operation, which is carried out via microprocessors. With the Beomaster 1900’s division into primary and secondary operation facilities, Jensen had anticipated the computer interface of the IT age, in which priority is given to the potential of the function selector.

The Beocenter 9000 is electronic through and through: the operating instructions for the relatively complicated apparatus with its many functions are built into the control equipment. Only the entirely everyday basic functions are visible in standby. When they are touched gently, the upper glass sheet – the ‘magic mirror’ – lights up. Several possible choices emerge only when they are needed.

The best and most consummate Jensen make the user feel like a magician. It was really Jensen’s wish that the lids on the BeoCenter 9000 should slide aside entirely without being touched when a hand came close to them, but that visionary idea was difficult to realise because it would mean the lids would open, for instance, when you merely wanted to change the volume. The designer David Lewis solved that problem when he designed B&O’s next breakthrough product, the upright BeoCenter 2500 (1991). He hid all buttons behind the lids. Lewis took his further development of Jensen’s B&O audio design profile in other directions when Jensen cease designing for the company in about 1990. By then, Jensen had designed more than 100 products for B&O. The reason for B&O’s success in the 1970′ and 1980s was the management’s willingness to aim at and realise risk-filled, pioneering strategy.

Open Beocenter 9000

The lid of the Beocenter 9000 disappears into the side of the apparatus and makes the user feel like the hero of a science fiction film. The plus values of products cannot be created on the background of qualitative or quantitative marketing surveys. Jensen’s role as the man who reads the trends of the time and uses his intuition to fulfil consumers’ unconscious wishes gives him a special role as an artist in product development.

Forming the Immaterial

The BeoCenter 9000 was to be Jensen’s last major breakthrough for B&O – an unadulterated operating surface. What enables Jensen to design products that are in advance of their time is his understanding of technological developments towards less bulk and greater complexity and abstraction. With the advent of microelectronics, the equipment loses its character as a tactile tool and its functions are beyond people’s immediate understanding.

The designer’s artistic freedom becomes greater – everything is possible. “Form follows function”, the idea that design should reflect the construction becomes an impossibility for most component designers. Jensen fights tooth and nail to maintain the modernist concept of honesty. He wants to avoid endowing the apparatus with familiar symbolical appearances and shapes, something that many of his contemporary, post-modern colleagues otherwise do.

Jensen’s design admits that form is on the way to being dissipated, on the way to immateriality, and so he goes from three-dimensional to two-dimensional operating services. He shows that the design of the future is about considering the man-machine relationship, communication with the apparatus, and that this is all that is left. Hardware design disappears to be replaced with software design. Jensen illustrates that technology is on its way towards invisibility and increased abstract. He chooses modernism’s abstract and reductionist idiom partly in order to bring clarity to the present-day ceaseless torrent of information and to make it comprehensible and accessible on all levels, and partly because technology in itself is abstraction.

“Less is more” is presented in concrete terms in Jensen’s reductionist designing because the cleansed surfaces and the simple and well-considered operation conceal the inconceivable complexity that is microelectronics. The modernist idiom in Jensen also reflects the abstraction to which modern man must subject himself if he wants to cope with the everyday articles of the present day, pieces of equipment. Although present-day technology is rooted in a long-standing Western tradition of rationality, rational engineering science has become so complex that it is beyond the immediate ability of our sense to imagine it. There is a need for designers who will give rational consideration to the way in which we communicate the engineers’ magic boxes and make the magic spells clear and comprehensible.

Our physical contact with the surrounding world is disappearing and being replaced with digitised virtual reality. Jensen does not try to pretend that his pieces of equipment are anything more than cool communication with technology, although he does not hesitate to turn our control of it into an experience. The functionality of the blank sensor-touch surfaces cannot be understood in the same way as an old-fashioned on-off switch. The possibilities of choice do not resemble push-buttons, but are merely abstract words that light up when we need them. They do not exist as material manifestations when we turn off the Beocenter 9000. Although Jensen’s modern domestic alters are quite profane, his design places him in art history’s long tradition of representing the immaterial as truly and beautifully as possible. ” – taken from ‘Jacob Jensen’ by Christain Holmsted Olesen.

Beocenter 9000 was designed by Jacob Jensen especially for music lovers who wanted the finest sound quality without having to bother with a mass of technical details. It became one of Bang & Olufsen’s outstanding modern classics. Beautiful to look at, with its sculptured design in glass and brushed aluminium; and pure pleasure to use and listen to.

At the time leading up to its design, Bang & Olufsen’s manager of long-range planning – Jens Bang – had just been to Japan and had bought back a strange-looking box called a ‘CD player’, the newest in technical miracles.

The ‘idea group’ at Bang & Olufsen – which included Timothy Jacob Jensen (the son of Jacob Jensen) – then began a long period of development which was to create a new Beocenter and which included a flat-screened TV, radio, CD player, tape recorder, loudspeakers, telephone and remote control, including a wristwatch with built in remote. However, after having seen around one hundred different ideas for the new hi-fi the idea group decided that the new Beocenter would just have a radio, tape recorder and CD player incorporated within it.

The new unit became an integrated system solution with amplifier, radio, cassette tape deck and CD player. By uniting all functions in one cabinet it was possible to simplify operation giving also its cabinet a simple and uniform appearance. ‘Function creates design and design creates function’. Its finish of aluminium and dark plastic gave the system an exclusive and distinct look which paralleled B&O’s other product designs. Beocenter 9000 was a direct descendant of Jacob Jensen’s famous Beogram 4000 record player and was contribution to the ID Classic Prize that B&O was awarded by the Danish Design Centre in 1990.

Simplicity itself

Two illuminated displays gave you all the information you needed. The upper display showed what was going on at the moment; the lower display gave you all the options at your disposal. Let’s say that the upper display showed ‘Radio’. If you pressed ‘3’ on the lower display you got the radio programme you preset as number 3. The same goes for records, tapes or CDs.

You could carry out most of the day-to-day operations using the Beolink 1000 remote control. For programming however, you operated the control panel directly, and again, it was very straight-forward. You could programme concerts or shows to record when you were out and then enjoy them at your leisure. You soon found yourself wondering how you ever did without the elegance and flexibility of this exceptional music centre!

The fine art of control of Beocenter 9000

The unfailing sensi-touch control of the Beocenter 9000 works through a condenser effect. A graphite area is printed on the underside of the glass panel and charged with a high frequency current. Even the lightest touch of a finger will spark a reaction.

Beocenter 9000 won the Japanese Good Design award in 1987 and the German Design Auswahl in 1986.

The tape recorder of the Beocenter 9000’s was almost fully automatic. You no longer needed to think of a cassette tape as having two sides. Auto Reverse reversed the sound head automatically so that in practice you had just one long tape at your disposal. This was of course, particularly useful for longer recordings.

Another useful feature was the automatic adjustment of the recording level, giving you total consistency throughout a number of different recordings. For noise reduction during recordings you could choose between Dolby B or C and then forget it; when you played the tape back, the recorder automatically switched to the system you used for recordings. It was also clever enough to identify whether you were using a standard, chrome or metal tape – and adjust itself accordingly.

You also had the benefit of Bang & Olufsen’s HX-Pro recording system, giving you considerably superior reproduction of the upper ranges, regardless of the type of tape. And with the automatic track search system you could quickly find a particular piece of music quickly and easily.

The radio

Just as easy to use as the rest of the music centre, the radio could be preset for up to 20 AM or FM stations. All searching and tuning was fully automatic. Just key in the frequency you want – for example ‘ FM 100.9’ – and the radio did the rest. You had plenty of choice where programming was concerned. If there was a daily programme you didn’t want to miss, you could programme it to come on at a specific time, or to record when you were out. You could have your favourite music to wake you up during the week, and cancel it to lie-in at the weekends.

The Compact Disc player

The very latest innovations were used to give this CD player truly outstanding sound quality. It was also superbly flexible to use. You could find a particular track in seconds, repeat tracks at will, and programme the playing order virtually any way you liked. The choice was all yours.

The fine art of control of Beocenter 9000

The unfailing sensi-touch control of the Beocenter 9300 worked through a condenser effect. A graphite area was printed on the underside of the glass panel and charged with a high frequency current. Even the lightest touch of a finger sparked the reaction.

If you wished to use a record deck with the Beocenter, then Beogram 9000 was made to complement the rest of the hi-fi.

BeoCenter 9000 Product Specifications

Type: UK 2501 (1986 – Jan 1990)
Type: AUS 2505 (1986 – Aug 1989)
Type: J 2504 (1986 – Jan 1990)
Type: US 2503 (1986 – Jan 1990)

Designer: Jacob Jensen

Manufactured: 1986 – 1990

Colours: Aluminium

Amplifier:
Long-term max. output power IEC 2 x 80 watts / 8 ohms
Power output 20 – 20,000 Hz IHF 2 x 30 watts / 8 ohms
Total harmonic distortion IHF < 0.1 % & 30 watts 20 – 20,000 Hz
Dynamic headroom 1 dB / 8 ohms
Intermodulation IHF < 0.1 %

Bass control at 40 Hz: +/- 10 dB
Treble control at 12,500: Hz +/- 8 dB

Tuner:
FM range 2501 / 2505: 87.5 – 108 MHz
2504: 76 – 90 MHz
LW range 2501 only: 150 – 350 kHz
MW range 2501 only: 80 µV
Connections: Tape 2 DIN
Phono DIN
AUX DIN
Extra amplifier Phonoplug

Link compatibility: Datalink

Tape recorder:
Compact cassette: C46 – C60 – C90 – C120
Recording system: HX PRO
Tape head: Sendust
Wow and flutter DIN: < 0.15 %
Frequency range chrome: 30 – 18,000 Hz +/- 3 dB
Signal-to-noise ratio: CCIR/ARM
Metal Dolby NR B:>64 dB, C: >73 dB
Chrome Dolby NR B:>65 dB, C: >74 dB
Ferro Dolby NR B:>63 dB, C: >72 dB

Compact disc player:
Frequency range 3 – 20,000 Hz +/- 0.3 dB
Signal-to-noise ratio > 96 dB / 100 dB A-weighted
Dynamic range > 96 dB
Harmonic distortion 0.003 % at 0 dB
0.03 % at -20 dB
Channel separation > 94 dB 20 – 20,000 Hz
Converter system 2 x 16 bit, 4 x oversampling 176.4 kHz
Low pass filter Digital + analog

Power supply:
2501/2505: 110 – 130 – 220 – 240 V switch
2504: 100 V
Power consumption: max. 200 W
Dimensions: W x H x D 76 x 11 x 34cm
Weight: 14 kg

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BeoCenter 9000 Service Manual

BeoLit 600 (1970)

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BeoCenter 9500

BeoCenter 9500

BeoCenter 9500

The mirrored exterior of aluminium and smoked glass gave no hint of the power hidden beneath the surface of Beosystem 9500. Central to the concept was the AM/FM receiver. On the flanks, CD player and cassette recorder awaited their turn in the spotlight. When they were needed, a light touch on the display panel was all that was required to make lids glide to the side giving immediate access to disc or cassette. The Beocenter was designed by Jacob Jensen and was the direct descendant of Beocenter 9000. The two models features here were superceded in 1994 by Beocenter 9300.

Simple logical operation

A light touch directly on Beocenter 9500 was all you needed to access its operation. The illuminated display led you logically through the programming and other functions always showing you what to do next. This ease and simplicity of use was the first impression you obtained of the music system. And equally easy to use was the optional remote control Beolink 1000 terminal.

Entertainment and information from three reliable sources

You could preset up to 20 FM and AM stations on the Beocenter 9500 receiver. And when you made your choice, search and fine tuning were completely automatic. Also, you could preset the receiver to switch on automatically to catch the news, or perhaps a favourite serial at just the right time. If you were out, the cassette recorder could be programmed to record and you could play back at your leisure.

You could also use the Beocenter 9500 receiver as a guaranteed alarm. In the event of a power failure during the night, the clock instantly switched to its own built-in batteries to ensure that you awoke at just the right time.

The CD player which accommodated both 12cm and 8cm compact discs was also ready for your commands. It gave you instant access to a specific track anywhere on the disc and allowed you to change the order in which the tracks were played, or to simply choose only those tracks you wished to listen to. Technology at its most convenient best. When used with Beogram 9500 the music system was known as Beosystem 9500.

BeoCenter 9500 Product Specifications


Type: EU 2506 (1989 – Feb 1994)
Type: GB 2507 (1989 – Dec 1993)
Type: AUS 2510 (1989 – Dec 1993)
Type: J 2509 (1989 – Dec 1993)
Type: US 2508 (1989 – Dec 1993)

Designer: Jacob Jensen

Manufactured: 1993 – 2000

Colours: Aluminium

Amplifier:
Long-term max. output power: IEC 2 x 80 watts / 8 ohms
Total harmonic distortion IHF: < 0.1 % & 30 watts 20 – 20,000 Hz
Dynamic headroom 1 dB: / 8 ohms
Intermodulation IHF: < 0.1 %

Bass control at 40 Hz: +/- 10 dB
Treble control at 12,500 Hz: +/- 8 dB

Tape recorder:
Compact cassette C46 – C120
Recording system HX PRO
Tape head Sendust
Wow and flutter DIN < 0.15 %
Frequency range chrome 30 – 18,000 Hz +/- 3 dB
Signal-to-noise ratio CCIR/ARM
Metal Dolby NR B:>64 dB, C: >73 dB
Chrome Dolby NR B:>65 dB, C: >74 dB
Ferro Dolby NR B:>63 dB, C: >72 dB
Power supply: 110 – 130 – 220 – 240 voltage switch
Power consumption Max. 200 W
Dimensions W x H x D 76 x 11 x 34cm
Weight 14 kg

Tuner:
FM range: 76 – 90 MHz (Type 2509, 2513)
87.5 – 108 MHz (Type 2506, 2508, 2510, 2511, 2512, 2514)
LW range 2506, 2511: 150 – 350 kHz
MW range 2506, 2508, 2509, 2510, 2511, 2512, 2513, 2514520 – 610 kHz
Compact disc player:
Frequency range 3 – 20,000 Hz +/- 0.3 dB
Signal-to-noise ratio > 100 dB / 110 dB A-weighted
Dynamic range > 96 dB
Harmonic distortion 0.0025 % at 0 dB
0.0025 % at -20 dB
Channel separation > 101 dB
Converter system 2 x 16 bit, 4 x oversampling
Low pass filter analogue Bessel

Connections: Beocord Tape 1 Built-in
Beocord Tape 2 7-pin DIN, Datalink
Beogram CD Built-in
Beogram LP 7-pin DIN, Datalink
BeoLab 2 x Power Link
Beovox 4-pin DIN
Beovision 7-pin DIN, Datalink

Link compatibility: Master Control Link

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BeoCenter 9500 User Guide

Setup Guide

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BeoCenter 9500 Setup Guide

Door Cord

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BeoCenter 9500 Doory Cord

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BeoCenter 1800

BeoCenter 1800

BeoCenter 1800

Beocenter 1800 fulfilled hi-fi standards by a wide margin. The product was also way above the average in terms of ease and operation. Experience from Beomaster 1100 and Bang & Olufsen’s integrated gramophones were combined in the special space-saving unit, which on a specification level was on a par with many separates.

The FM section had automatic frequency control (AFC), four pre-set stations and light indicators. The amplifier’s power output was 2 x 22 watts RMS with less than 0,3% distortion at full power output.

The integrated gramophone was fully automatic. The user simply chose the size of the record and pressed a button – the machine did the rest. The pickup arm was of magnesium which was extremely light. This, together with the MMC 3000, a low-mass cartridge, made this one of the very few turntables on the marker that was capable of tracking warped records. The anti-skating device also worked automatically.

The pickup arm and the turntable mechanism had a special spring suspension which made the turntable shock and vibration resistant.

Records could be played with the dust lid closed, thus protecting both the turntable and the record collection from damaging dust particles. Beocenter 1800 had connections for tape recorder, two sets of stereo speakers and a pair of headphones.

When connected to a pair of Beovox Uni-Phase passive loudspeakers, it was known as Beosystem 1800.

BeoCenter 1800 Product Details

Type Numbers

2610

Designer

Manufactured

1975 – 1977

Colour Options

Rosewood, Teak

BeoCenter 1800 Product Specification

Sound system and loudspeaker 2 sets of stereo
FM pre-tuning: 4
Power output 1000 Hz RMS: 2 x 22 watts / 4 ohms
2 x 19 watts / 8 ohms
Music power 2 x 40 watts / 4 ohms
2 x 25 watts / 8 ohms
Speaker impedance 4 ohms
Harmonic distortion: 1000 Hz 50 mV DIN 45 500 < 0.1 %
Intermodulation DIN 45 500: < 0.1 %
Frequency range +/- 1.5 dB DIN 45 500: 20 – 30,000 Hz

Bass control at 40 Hz: +/- 17 dB
Treble control at 12,5000 Hz: +/- 14 dB

Power supply: 110 – 130 – 220 – 240 V
Power consumption: 20 – 170 W
Dimensions W x H x D: 50 x 12 x 37 m
Weight:13 kg

Tuner: FM range 87.5 – 108 MHz

Speeds: 33 – 45 rpm.
Automatic pickup movement: Yes
Automatic speed selection: Yes

Wow and flutter, DIN: < +/- 0.12 %
Rumble DIN unweighted: > 37 dB
Rumble DIN weighted: > 60 dB
Speed deviation: < 0.1 %
Speed control range: > 3 %
Dial for speed strobe: 120mm


Tangential tracking: 0.126°
Lift system: mechanical
Antiskating Inclined channeling, inside bearing
Motor Asynchronous
Drive system Idler wheel and belt
Turntable: 30cm 1 kg

Pickup: MMC 3000
Stylus Spherical diamond
Stylus pressure range 0 – 2.5g
Radius of curvature 15 µm
Recommended stylus pressure 1.2g

Connections: Headphone jack
Tape recorder DIN

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BeoCenter 1800 Service Manaul

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BeoCenter 1400

BeoCenter 1400

BeoCenter 1400

The amplifier section of Beocenter 1400 offered qualities which were unusual for a combination product in this price-range. Frequency range was 20-30.000 Hz, with harmonic distortion of less than 0.5 % at maximum output. Power output was 2 x 20 watts RMS or 80 watts total music. The technical data of the FM section, like those of the amplifier fulfilled the DIN 45500 high-fidelity norms by a wide margin. A wide frequency range was obtained both on mono and stereo reception. The balanced light indicator was a simple but effective aid to accurate tuning. The automatic frequency control (AFC) facility allowed precision tuning.

Beocenter 1400 – “Each unto his own taste” – especially with music.

Receiving distant stations was no problem on Beocenter 1400 owing to the receiver’s high sensitivity (better than 1.8 uV IEC). The compact cassette section had its own operating facilities: ON/OFF switch and piano key push buttons for recording and play-back functions. You could switch between chromium dioxide and normal tapes. Recording level was controlled by a handy slider on a numerical scale and light indicators: Red or green light showed overloading or satisfactory recording level. Tape-heads were of super permalloy, an extremely durable material which ensures a long useful lifetime. Wow and flutter was less than ±0.28% (JIS norm).

Signal-to-noise ratio was better than 50 dB with chromium dioxide tapes. Bang & Olufsen placed emphasis on good station separation in the AM section (long and medium waves) without sacrificing sound quality. A slider control aided radio tuning. Beocenter 1400 had sockets for a record player, headphones and loudspeakers. An extra tape or cassette-recorder could also be connected. Beocenter 1400 utilised the (then) latest electronic components: Darlington transistors, field effect transistors, integrated circuits and ceramic filters.

When combined with Beovox 1702 loudspeakers and/or Beogram 1203, the system was known as Beosystem 1400.

BeoCenter 1400 Product Details

Type Numbers

2604

Designer

Manufactured

1973 – 1975

Colour Options

Rosewood, Teak

BeoCenter 1400 Product Specification

Power output: RMS 2 x 20 watts / 4 ohms
2 x 19 watts / 8 ohms
Power output music: 2 x 40 watts / 4 ohms
2 x 25 watts / 8 ohms
Speaker impedance: 4 ohms
Harmonic Distortion: < 0.1 %
Intermodulation: < 1.0 %
Frequency Response: 20 – 30,000 Hz
Bass control: +/- 17 dB
Treble control: +/- 14 dB

FM tuner: Range 87.5 – 104 MHz
AM tuner: Ranges LW 147 – 350 Hz
MW 520 – 1610 kHz
Tape transport:
Wow and flutter: < 0.35 %
Speed deviation: < 1.5%
Fast tape motion: 90 sec.
Record/playback data:
Frequency range: 40 – 8,000 Hz
40 – 12,500 Hz
Power supply: 110 – 130 – 220 – 240 V
Power consumption 15 – 120 W
Dimensions H x W x D: 8.5 x 66 x 26cm
Weight 8.6 kg

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MasterLink

MasterLink

Table of Contents

Introduction

Beolink is a Bang & Olufsen expression that covers:

  • The ability to create and operate audio-video systems, and
  • The ability to distribute sound and picture from a Bang & Olufsen main room system to other rooms in the home, and to operate the main room system from the rooms connected by means of Beolink.

Beolink is not a product – it is a number of features that are the result of the intelligent interaction between products, a synergy effect.

Beolink may be obtained in different ways, depending upon the products that are used: basically either the Audio Aux Link/Master Control Link (MCL) system or the Master Link system. The latter is the most recent system, and the long-term objective is that it shall replace the other system.

Master Link perceived as an interconnection method offers some convenient benefits not available with the older MCL system.

An example is that whereas the interconnection in the main room previously had to be carried out with one type of cable (Audio Aux Link) and the interconnection between the main room and the link rooms with another type of cable (Master Control Link) Master Link connection offers a bus type connection that caters for all interconnections between the main room audio and video systems as well as connections to the link rooms.

Another benefit is the completely individual volume control and tone adjustments in each link room, due to the distribution of audio signals at line level and the application of power amplifiers in each link room.

Contrary to the previous signal distribution system, Master Link signals are distributed as balanced signals, permitting distribution of CD-quality sound, even when the cable distances are fairly long.

Finally, the distribution hardware has been improved, e.g. by the introduction of a reduced signal cable diameter and new cable termination methods. The benefit of this improvement is that installation has become simpler and more elegant. The simplification is most evident in smaller installations, e.g. the installation of an intelligent kitchen loudspeaker being intuitively and quickly accomplished, whereas larger installations still require some planning and installation skills.

Beolink distribution covers the ability to distribute both audio and video signals. In the Master Link system audio and control signals were distributed by means of one single cable, whereas the distribution of video signals required a coaxial cable network. Only Beolink compatible products can be fully integrated in a Beolink system, but previous system products may be integrated to a limited extent, as described later in this section

MasterLink Products

BeoLab 3500

is an integrated link room speaker consisting of an active speaker with Master Link (ML) connection, an IR receiver and a display. BeoLab 3500 also has Master Control Link (MCL) connection. Furthermore, the BeoLab 3500 has a built-in clock. The BeoLab 3500 is supplied with a mains lead and a bracket for wall mounting.

Application
BeoLab 3500 is used in link rooms where you wish to have an integrated active speaker. From the BeoLab 3500 it is possible to listen to all sources from the main room, both audio and video sources. BeoLab 3500 has built-in sound control, meaning that tone and volume can be adjusted independently of the main room. With the tone control it is possible to adjust balance, bass, treble and loudness individually. BeoLab 3500 offers the following local operation features:

  • Timer on/off
  • PLAY 1 ST.BY

Part Numbers:

  • 1160111(EU)
  • 1160211 (GB)
  • 1160311 (USA/CDN)
  • 1160411 (JAP)
  • 1160511 (AUS)

Miscellaneous:

Besides the parts included with the BeoLab 3500, the installation may require a Master Link cable as well as plugs. sockets and junction boxes.

BeoLab 2000

is an integrated link room speaker consisting of an active speaker with Master Link (ML) connection, an IR receiver and close-up operation. BeoLab 2000 is supplied with a mains lead and a bracket for wall mounting. BeoLab 2000 is used in link rooms where you wish to have an integrated active speaker. From BeoLab 2000 it is possible to listen to all sources from the main room, both audio and video sources.

BeoLab 2000 has built-in volume control. meaning that volume can be adjusted independently of the main room and offers the following close-up operation features:

  • Timer on/off
  • PLAY 1 ST.BY
  • Volume up and down
  • Close-up selection of Radio, CD or TV
  • Step-button for switching programs or tracks

Part numbers:

  • 1164129(EU)
  • 1164229 (GB)
  • 1164329 (USA/CDN)
  • 1164429 (JAP)
  • 1164529 (AUS)

Beolink Active

consists of a control box, an IR receiver, a receiver cable and a mains lead. Beolink Active speakers are used in link rooms where active speakers are required. All Bang & Olufsen active speakers may be connected. Beolink Active has built-in sound control, meaning that tone and volume can be adjusted independently of the main room.

With the tone control it is possible to adjust balance, bass, treble and loudness individually. With a Beolink Active it is possible to listen to the sound from all main room products – both the video and audio sources.

Beolink Active offers the following local operation features:

  • Timer on/off
  • PLAY 1 ST.BY
  • Volume up and down

Part nos:

  • 1161666
  • 1161866, (USA/CDN)

Besides the parts included with the Beolink Active. the installation requires a Master Link cable as well as plugs, sockets and junction boxes.

Beolink Passive

consists of a control box, an IR receiver, a receiver cable and a mains lead. Beolink Passive speakers are used in link rooms where passive speakers are required. All Bang & Olufsen passive speakers may be connected. It has built-in sound control. meaning that tone and volume can be adjusted independently of the main room. With the tone control it is possible to adjust balance, bass, treble and loudness individually. With a Beolink Passive it is possible to listen to the sound from all main room products – both the video and audio sources.

Beolink Passive offers the following local operation features:

  • Timer on/off
  • PLAY 1 ST.BY
  • Volume up and down

Part Numbers:

  • 1165566 (AUS)
  • 1165666(EU)
  • 1165766 (GB)
  • 1165866 (USA/CDN)

Besides the parts included with the BeoLink Passive, the installation requires a Master Link cable as well as plugs, sockets and junction boxes.

Beolink Video

consists of a control box, a mains lead and a Datalink cable.

Apart from this you need an coaxial cable from the HF outlet of the video system in the main room. This cable is connected to the aerial input of the link room TV. Beolink Video is used in link rooms where both sound and picture are required via a Bang & Olufsen TV set.

With Beolink Video it is possible to use all the sources in the main room. In particular it is possible to operate SAT and V.TAPE but it is further possible to watch a decoded programme from the TV set in the main room. In addition, it is possible to operate all audio sources, thereby – using the speakers in Bang & Olufsen’s TV sets for obtaining audio sound. If you want even greater sound in the room you can connect Bang & Olufsen’s active speakers to the TV set.

Beolink Video is connected to the TV set by means of the 7-pin Datalink cable and to the main room with a Master Link cable. Apart from this an aerial installation is needed.

Part no. 1161566

Besides the parts included with the Beolink Video, the installation requires a Master Link cable as well as plugs, sockets and junction boxes.

Note: The main room TV must have a modulator built in for Beolink Video to function.

Beolink Converter

is used when audio and video products with Master Link and Audio Aux Link (Datalink) have to be interconnected. Beolink Converter can be used in conjunction with both a video and an audio master. Beolink Converter features Autoconfiguration, meaning that it is able to detect automatically whether it is installed in a Master Link audio or in a Master Link video system. Configuration takes place when it is connected to the mains.

Beolink Converter can also be used as ML-driver*, which means that it is possible to connect e.g. a BeoCenter 23W via the Beolink Converter to the Master Link and thereby distribute sound to all link room products.

Beolink Converter is used in compatibility setups (see the section on recommended compatibility setups).

Part numbers:

  • 1161166
  • 1161266 (USA/CDN)
  • 1161466 (old version)

Miscellaneous Besides the parts included with the Beolink Converter, the installation requires a Master Link cable as well as plugs, sockets and junction boxes.

Note that Beolink Converter type no. 1161466 cannot be used as ML-driver.

ML/MCL Converter

consists of a control box and an amplifier. Application ML/MCL Converter is used where a conversion from Master Link (ML) to Master Control link (MCL) is wanted. Such a conversion is required if you want to maintain the existing Master Control Link system although the audio system in the main room is replaced with a Master Link driver, for example a BeoSound Ouverture.

ML/MCL Converter can also be used in conjunction with a BeoSystem AV-9000 with an AV 9000 Master Panel.

Part nos:

  • 1165166(EU)
  • 1165266 (GB)
  • 1165366 (USA/CDN)

Miscellaneous Besides the parts included with the ML/MCL Converter, the installation requires a Master Link cable as well as plugs, sockets and junction boxes.

Setup & Option Programming

Recommended setups

An object consisting of several parts can usually only be assembled in one way if the intended result is to be achieved. For example, a gearbox for a car will not perform optimally according to the specifications if you omit installing some of the gearwheels. if you manage to install one gearwheel too many, that will most likely cause trouble as well.

The point of the above is that things must be put together in the way they were designed to, if they are to perform optimally.

The same applies to Bang & Olufsen’s Beolink. In theory, Bang & Olufsen’s products may be connected in thousands of different ways. Since it would be totally impossible to have an overview of just a fraction of this multitude of connection possibilities, Bang & Olufsen has selected the most attractive combinations. These selected combinations are called recommended setups. The recommended setups are the ones which are focused on in connection with product development and service.

When a Beolink system is configured it is therefore very important that this is done in accordance with the recommended setups.

If the recommended setups are not followed, the result may easily be the same as with the gearbox with too many or too few gearwheels. Bang & Olufsen services the recommended setups ONLY.

Option programming

One of the conditions for the recommended setups to perform optimally is that the products included in the setup “know” in what kind of environment they are placed. The actual option programming is executed by pressing a certain sequence of keys on the terminal.

For the Beo4 terminal the key sequence is the following:

Press and hold

LIST

Press to access the setup functions. The Beo4 display reads [OPTION?] – let go of both buttons

GO

Press to access Option-programming

LIST

Press to display: V.OPT (BeoVision) or A.OPT (BeoMaster/BeoSound) or L.OPT (link room products)
then

1

Key in the number of the appropriate Option (e.g. 1)
For the Beolink 1000 remote control terminal the following key sequence is used:
BeoVision:

PICTURE

‘digit’

STORE

BeoMaster/BeoSound:

SOUND

‘digit’

STORE

Link room products:

LINK

‘digit’

STORE

The digit sequence to be used depends on the setup:

Option 0No IR reception
Option 1Two IR-receivers in the same room
Option 2One IR receiver in the main room
Option 4Link room product connected to one or two main room products in the same room
Option 5Two IR receivers in the same room link
Option 6One IR eye in the link room

This applies to most setups that they are delivered with the correct Option setting from the factory and they are therefore ‘ready for use’.

However, in some situations products may have to be reinstalled (e.g. in a connection in a house that has been rebuilt). The correct option is therefore indicated in ALL illustrations, even those which are ‘ready to use’ from the factory.

MasterLink Glossary

Audio Aux LinkPerhaps better known as AV connection . Connection between the audio and video systems. The connection is established through a 7-pin Datalink cable
21-pin AV cable/SCARTStandard connection between a TV set and a video tape recorder. The cable is specified for transferring RGB signals
AV systemAudio/video system. Integration of audio and video, permitting sound to be transferred from one system to the other
BeolinkThe brand name and a general term describing Bang & Olufsen’s way of distributing sound and picture. Beolink may be obtained in different ways depending on the products used: either the Audio Aux Link/Master Control Link (MCL) system or the MasterLink system
BeoMasterDesignation of audio masters, e.g. BeoMaster 7000 and BeoCenter 9500. In future this designation will be replaced by BeoSound
BeoSoundCommon designation of audio products, e.g. BeoSound Ouverture
BeoVisionCommon designation of TV sets, e.g. BeoVision MX 6000 and BeoVision Avant
CompatibilityThe ability to interconnect products from different seasons
Control boxA box that controls data and signals. for example in Beolink Active
Datalink cable7-pin Datalink cable used for Audio Aux Link connection between audio and video systems
Link roomDesignation of the other room/roorns in the home in which sound and/or picture are installed
Link room kitsKits specially designed for link rooms, e.g. Beolink Active and Beolink Video
Link room productsProducts specially designed for link rooms i.e. BeoLab 2000, BeoLab 3500
Main roomDesignation of the room in which the audio and/or video systems are placed. There are two kinds of main rooms:One-room = audio and video systems placed in the same room
Two-room = audio and video systems placed in separate rooms
Main room productsProducts which serve as driver in a Beolink system e.g. BeoVision and BeoSound
Master Control Link (MCL)Master Control Link is the name of the former connection between main room and link room
MasterLink (ML)Bang & Olufsen’s new systems interface. Master Link is the connection between the products in the main room and those in the link room but it is also the connection between the audio system and the video system
MasterLink driverBeoSound and BeoVision with Master Link socket. One of these products is always required in a Master Link setup
MasterLink productAll products with a Master Link socket
One-way remote control A remote control terminal that operates the products by transmitting a command to them without requiring an answer (e.g. BL 1000 and Beo4). BL 5000 and BL 7000 are two-way remote control terminals which require an answer from the product being operated
Option programmingOption programming is executed via a Bang & Olufsen terminal and with the products concerned in stand-by. Upon completed option programming, the products ‘know’ what kind of environment they are placed in. and they can then be operated and function optimally
Power Link (PL)The Power Link connection contains all necessary signals and data required for driving active speakers. Two different types of cable are available: one with wire for display data and one without wire for display data. Note that the latter cannot be used for active speakers with display
Product Configuration GuideA PC-based tool in which it is possible to compose the setup you require and which provides answers to any questions concerning compatibility, setups, options, terminals, special conditions and so on
ReceiverIR receiver built into audio, video and link products. The products may thus be operated by means of a one-way remote control terminal (i.e. Beo4 or Beolink 1000)

General Rules for MasterLink (ML) and Master Control Link (MCL)

Generally, the following rules apply for both MCL and ML:

Option 0 – Where there is no Beo4 remote control (and/or the IR receiver is turned off). However, the product may still be controlled through its own buttons
Option 1 – Preset at the Bang & Olufsen factory. Product only responds to its own codes
Option 2 – The product will respond to both audio and video commands through the remote control.


Only three three codes may be used in a main room configuration. When first plugged in, information is transmitted between units to establish what products are being used within the MCL/ML system. This takes approximately 6 – 8 seconds to undertake. Never exceed a factor of 2 in a main room system (i.e. Option codes 1 and 1, 2 and 0 should only be used)

The following Options hold true for the programming of MCL-controlled equipment:

  • Option 0 – turns off the transceiver

  • Option 1 – used for a single stand alone system or if both video and audio are in the same room and you wish to control the video and audio separately but with the systems linked via Audio Aux

  • Option 2 – audio and video linked but in different rooms. Allows control of video functions via audio master

Supplementary Options for later MCL systems:

  • Option 5 – default ‘master’ setting

  • Option 6 – ‘slave’ setting

These options are in addition to the normal 1 or 2

Master / Slave

In any system there has to be a Master and a Slave product. Thus, if there were two BeoVision Avants in the system, one has to be a Master and one has to be a Slave (BeoVision Avants from October 1997 with S/W 2.1+). In a system of more than three products, one still has to be the Master while others are Slaves.

In a ML system where two or more products are interlinked, the blue/white and pink cables must be joined together when making up an ML connection. ML uses a 16-core cable; only 11 of these are used. The remaining five are redundant due to cessation of two-way communication before the invention of the MasterLink system.

The BeoSound Ouverture may be used as either a Master or a Slave (designed for transportation between different locations). However, it needs to be put into Slave mode before plugging in ML (Beo4 = ‘A.Opt’ ‘6’)

Linkroom

Slave Options:

  • Option 0: Where there is no Beo4 remote control (and/or the IR receiver is turned off)

  • Option 5: Where the product responds to its own codes:

    • Video – ‘TV’, ‘Sat’, ‘Text’, ‘VCR’, DVD’ etc

    • Audio – ‘Radio’, ‘CD’, ‘Phono’ etc

  • Option 6: Product responds to all codes

Using a Beolink 1000 remote control to Option-program:

Link:

  • Standby
  • Link
  • Option number
  • Store

Picture:

  • Standby
  • Picture
  • Option number
  • Store

Audio:

  • Standby
  • Sound
  • Option number
  • Store

Fact: 16 links maximum may be made over a distance of 400m within a MasterLink system; 19,200 bytes/second of information are transferred between components!

MasterLink Option Settings 1

A/V integration – one-room ML:

Option 2 for the TV & Option ‘0’ for the BeoSound 9000

(The BeoVision Avant has to set to option 2; the BS9000 to option 0, which it does automatically, because there is no speaker connected.)

(Note: Option 6 for BeoSound 2500

Note that a CD command will start playback on BeoSound 2500 – and not the BeoSound 9000. To call a BeoSound 9000 CD press <AV> <CD>)

A/V integration – one-room ML:

Option 1 for both products (Ready for use)

A/V integration – two rooms ML:

Option 2 for both products

Both may be in Option 2 as there is a wall to separate them. Both products will respond to audio as well as video commands

Audio Linkroom – BeoLab 2000 / 3500:

On BL2000 ‘Tape’ button changed to ‘TV’ select from s/n 14499914

Option 6 for BeoLab 2000/ 3500

For BeoLab 3500 (using this same setup), Option 6 still has to be used

Audio Linkroom with local sources:

Option 6 for BeoSystem 2500

The BeoSound Ouverture may be used as either a Master or a Slave (designed for transportation between different locations). However, it needs to be put into Slave mode before plugging in ML (Beo4 = ‘A.Opt’ ‘6’)
Video Linkroom:

MasterLink Option Settings 2

Beolink Video Kit:

Autoconfiguration Beo4 + IT version:

  • V-Tape 1, Satellite etc: Preset 60
  • V-Tape 2: Preset 61

Pre Beo4 (i.e. BL1000/5000):

  • V-Tape 1: Preset 63
  • V-Tape 2: Preset 62
  • Satellite: Preset 61
  • CDV: Preset 60
  • Link-TV: Preset 63
  • Set all to ‘Option 2’
Option settings:

BeoVisions MX4000, 6000, 7000

BeoVisions LX6000, LX7000

Set to ‘Option 6’

Beolink Video:

Autoconfiguration:

  • V-Tape 1: Preset 49
  • V-Tape 2: Preset 48
  • Satellite: Preset 47
  • CDV: Preset 46
  • Link-TV: Preset 50

Option settings:

BeoVisions MX3500, LX4500, LX5500

Set to ‘Option 2’

Beolink Video:
No autoconfiguration:
  • V-Tape: Link, V-Tape
  • Satellite: Link, Sat
  • Preset Channel 6 on TV then: ‘Link,’Sat’
Option settings:
BeoVisions MX3000, MX4500, MX5000, LX2502, LX2802

Set to ‘Option 2’ and ‘5’

Beolink Active
Set to ‘Option 6’
Beolink Passive:
Set to ‘Option 6’

MasterLink Option Settings 3

Whole house ML examples:

Beolink Converter:

Beolink Converter:

MasterLink Option Settings 4

Beolink Converter

Special Link Option 4:

With BeoLab 3500 all remote control commands must be prefixed with ‘Link’ (L.Opt’ in Beo4 to ‘Option 4’)

Non-linkable CTVs (other manufacturers):

Tune in Avant ‘Menu’ modulator to ‘On’

Beolink Converter

MasterLink Option Settings 5

X-tra Speaker Kit

X-tra Active Speaker Kit

‘Independent’ Volume Control

X-tra CTV Kit

ML/MCL Converter – combining MCL with ML system

Fittings & fixtures for ML/MCL

Master Control Link

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BeoLab 1

BeoLab 1

BeoLab 1

Providing the ultimate true-to-life sound experience, BeoLab 1 will open your eyes and ears to what a loudspeaker should look and sound like.

“BeoLab1 is for everyone who has a heart for superior sound. You can turn your stereo up as loud as you want and still experience music the way it was meant to be. ” The quality of a loudspeaker has never only been about its ability to play loudly. What’s just as important is being able to hear the finest nuances in your favourite piece of music – regardless of whether you’re listening at the highest or lowest volume level. As our most powerful loudspeaker, BeoLab 1 will fill the largest room in your house with a sound that’s as close to the original as you can possibly get ” – B&O catalogue 2001 – 2002.

“When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible” – Bang & Olufsen catalogue 2001 – 2002.

Eye-opening sound

If the sounds you listen to, reflect the mood you’re in, then BeoLab 1 is an invitation to express yourself to the full. Behind the elegant design lies a powerhouse of sound technology that can enhance the best of movies or take your favourite piece of music to new heights. BeoLab 1 will, quite simply, open your eyes and ears to what a loudspeaker should look and sound like.

Unique cabinet

Three years of the toughest research and development have produced a loudspeaker at the cutting edge of acoustic technology. The BeoLab 1 cabinet is divided into three individually sealed units, utilising vibration-damping materials normally only seen in the car industry. The built-in amplifiers powering each unit are calibrated and customised to ensure a uniform performance in the soundscape that’s created

Top line loudspeaker

BeoLab 1 delivers the purest, clearest sound ever heard from a Bang & Olufsen loudspeaker. With aural reproduction as close as you can get to the original, it allows you to distinguish each instrument playing in an orchestra and every word of a song. A single continuous piece of aluminium forms the rigid backbone of BeoLab 1. Strong enough to withstand the powerful vibrations, its curved design also eliminates any sharp edges or joins that could compromise sound quality.

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.

Adaptive Bass Linearisation

Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.

The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.

ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.

ICEPower®

BeoLab 1 also makes use of Bang & Olufsen’s innovative ICEPower® technology. With practically no electric power loss and a greatly reduced cooling space, the new, compact digital power amplifier allows the bass unit in BeoLab 1 to produce a sound far beyond the dimensions of the cabinet.

The speaker with many names

“When the concept for BeoLab 1 was decided on almost two years ago, there was a lot to live up to. The loudspeaker project changed names several times during the process. First it was called Loudspeaker 8, then 12, 14, X and finally 15. Later on the commercial name BeoLab 1 was chosen.

From the start it stood tall at two metres. Then it was reduced by a few centimetres to the present 1.84m. Nonetheless, BeoLab 1 is actually only half as large as the Penta in terms of physical volume and only three times larger than the BeoLab 8000. The basis for the development work was to create a loudspeaker which delivers perfect sound in terms of tonal balance and authentic reproduction, with compactness of expression but also high sound pressure, which is easy to integrate with the design and furnishing of the home and which can be placed anywhere. It was truly a great challenge to achieve all this in one and the same loudspeaker.

There was no doubt that sheer amplifier power was needed to replace high volume. However, this also entailed a risk that a loudspeaker might burn up. So the department designed a completely new protective circuit which automatically turns down the amplifiers in extreme conditions, to reduce the heat in the loudspeaker units. So there is no risk of it burning off. BeoLab 1 also features ICEPower®, which is a revolutionary new Bang & Olufsen technology entailing high energy savings due to the low heat development.

Robust, sound craftsmanship

Another difficult problem to solve was that it had to be possible to adjust the loudspeaker to any room, to achieve the optimum listening experience. This is a question of avoiding too much bass when the loudspeaker stands in a corner and too little bass when the loudspeaker stands freely. The solution is the option to adjust the loudspeakers manually to give the same tonal range, no matter where they are placed.

Throughout the production process the loudspeaker is developed to ensure simplicity at every production stage. So this is an extremely robust, soundly crafted, product.

Hermetically sealed

During the process the department received a nasty shock, however, when they carried out the first tests in a hot, humid environment. The loudspeaker just would not function when it was released from the artificial tropical paradise at the Struer site. A new trial was run and the same thing happened. Now the department’s engineers were sweating as much as the loudspeaker had done in the heat cabinet, until it was discovered that the temperature had been turned up an excessive 15 degrees Celsius and the humidity by 3% more than the already very stringent test requirements. So when the loudspeaker was opened, the water practically flowed out of it.

It must have entered as steam, the same designer states today and cites an example of how a BeoLab 1 was shipped as air freight to Singapore. On its arrival, faults were found in the mid-range loudspeaker where the membrane had subsided inwards. The simple explanation was that the cabinet behind the mid-range unit was so impermeable that it could not equalise the changing air pressure during the flight. So the solution was to make a small hole in the mid-range cabinet, to avoid this problem.

Difficult cabinet process It is not the intention to adjust the cabinet to excess. It is the largest aluminium profile B&O has made so far and in fact one of the largest in Europe within high-gloss alloys. In practice, the profile consists of a very fine surface which due to its size is very difficult to manufacture without flaws. However, using specially manufactured equipment technicians have managed to achieve a polish which is both beautiful and perfect.

The process is difficult, however, primarily because the profile is both flat and round. This in itself makes the polishing work difficult.

Sheer force and true to nature

Despite its complexity the BeoLab 1 has a shorter production time than the Penta. One reason is that the entire amplifier section is received ready-assembled from a sub-supplier in Scotland, but according to B&O’s design and instructions. Furthermore, the technology is generally very compact. Engineers have devoted a lot of time and resources to this work. However, the investment is expected to be recouped via faster, more effective production.

If you ask three of the men behind it – Villy Hansen, Poul Praestgaard and Henrik Sjostrand – to say what is most wonderful about the BeoLab 1, they all agree that its supreme quality is that when the user listens to music, he or she will forget to listen for the bass, mid-range tone and descant, but simply enjoy the music. Nobody remembers that the sound is emitting from the loudspeakers. Another aspect is the interplay between form and function. It lives up to what its appearance promises, even the great expectations of the sound experience created by its height. in addition to this comes its sheer force, the high precision of the bass and the authentic reproduction, as well as the simple and robust structure, which is also to the satisfaction of the customer setting up the loudspeakers.

“It really is the best ever. It cannot be followed, and we have to say that an era is now over. We have quite simply completed the portfolio as it stands today. Now we have to use other methods to surprise. Idealand has been working on this and we will be back” the acoustics team state.

Now they are all waiting in great anticipation to see whether the demand for Penta continues, even though it is no longer produced. As was the case with the BeoLab 5000, of which an American recently ordered 30 sets. When told that production had long since lapsed, he asked quite seriously what it would cost to start it up again.

Taken from Beolink magazine 7, 1999

Superior sound quality

What does sound look like? What colour does it have? At Bang & Olufsen, we believe it should be as clear and precise as possible, but that doesn’t mean it has to be invisible. With BeoLab 1 sound makes a statement. It takes our pursuit for natural sound reproduction to a new level and delivers the ultimate true-to-life audio experience. We believe it’s the purest sound ever heard from a Bang & Olufsen loudspeaker. Since no two loudspeaker units have exactly the same physical characteristics, we calibrate them individually to make certain that the sound of each and every BeoLab loudspeaker leaving the factory is identical

Performance

To ensure an optimal performance every time you listen to it, a BeoLab loudspeaker constantly “fine-tunes” the signal received from the sound source before distributing it out to the separate bass and treble power amplifiers

Appearance

Using aluminium for the cabinets is not just about looking good. Despite a thickness of only a few millimetres, it’s a remarkably strong metal that’s easily shaped to eliminate the problems normally experienced with loudspeakers made by traditional materials

Colours

Once the surface has been polished until it shines like a mirror, it’s dyed and given a tough ceramic coating that seals and protects the coloured exterior. The 5 strong colours match with the existing Bang & Olufsen range, and have been carefully chosen to compliment any environment in which they’re placed. Choose between silver, blue, black, red or green (1999 – 2003 range).

BeoLab 1 Product Specifications

Type: EU 6841 2000
Type: GB 6842 2000
Type: USA-CDN-TWN 6843 1999
Type: J 6844 1999
Type: AUS 6845 1999
Type: KOR 6846 1999
Type: CHK 6849 2004-06

Designer: David Lewis

Manufactured: 1999 – 2006

Colours: Silver, Black, Grey, Blue, Red, Green, Sky Blue

Specifications (from Aug 2005):
Dimensions Height 1843 mm
Foot ø 398 mm,
Weight 36 kg
Cabinet/cloth finish Black/black, silver/silver, dark grey/dark grey, blue/black, red/black
Stopped Sept. 2003: silver/dark grey, blue/blue, green/green, red/red
Stopped June 2005: light blue/light blue
Power Consumption IEC65: 40 W
Typical: 14 W
Stand-by: <0.5 W
Maximum Sound Pressure Level 105 dB (stereo, pair)
Power amplifiers 3 units, Bass part Class D, Midrange/Treble part Class AB
Long-term maximum output power
per amplifier Bass: 450 W/4ohm
Midrange: 125 W/8ohm
Treble: 125 W/8ohm Effective Frequency range 39 – 20,000 Hz
Cabinet principle Closed box
Magnetically shielded Yes
Woofers 2 x 16.5 cm
Midrange 7.6 cm
Tweeter 2.5 cm
Net volume 16 litres
Bass equalization ABL (Adaptive Bass Linearization)
Switch for loudspeaker position: Freestanding – Against Wall – In Corner
Input sensitivity (line) 125 mV (91dB SPL) – Auto switch on
Input sensitivity (Power Link) 125 mV (91dB SPL)
Switch off time (line) 3 min.

Connections:
Power Link 2
Phono (line) 1

Type Market Voltage
6841 EU 230 V
6842 GB 230 V
6843 USA – CND – TWN 120 V
6844 J 100 V
6845 AUS 240 V
6846 KOR 220 V

Accessories Stand 2089 Aluminium

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