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BeoLab 7-4

BeoLab 7-4

BeoLab 7-4

BeoLab 7-4 brings extra authenticity to any film or TV experience. Using the same acoustic lens technology found in BeoLab 5, this compact but powerful speaker is optimised specifically to reproduce the sound of voices. This is essential in a surround sound set-up, as eighty per cent of the voice information goes through the centre channel. Next time you watch a movie, you won’t miss a whisper.

Surround sound centrepiece

In a surround sound setup, BeoLab 7-4 is designed to give a powerful performance in the important centre channel. It can be used with all BeoLab loudspeakers and the BeoLab 2 subwoofer for the ultimate surround sound experience with the BeoVision 7-40 LCD or BeoVision 4 plasma televisions, or a projection screen. Moving with the motorised floor stand of your BeoVision 7, BeoLab 7-4 adds an extra dimension of sound to whatever you are watching on TV.

BeoLab 7-4 has a vertical construction that provides the best possible tonal balance found in speech. The deepest bass sounds are filtered out, ensuring greater power output and enabling BeoLab 7-4 to play up to the extreme capabilities of the BeoLab 5 loudspeaker. The acoustic lens, centred just beneath the screen as a visual emphasis of refinement, ensures an experience of tonal clarity in the horizontal plane. The sound of voices becomes extremely authentic, regardless of where you are seated.

Consistent lines and harmonious colours

The cabinet is coated in a durable yet silky black lacquer surface. Facing you is a front grill made out of anodised aluminium with a perforated pattern available in five different colours, giving a graphic touch to the overall look. As with all Bang & Olufsen products, there is always a consistency in the design lines, so you will quickly see a coherence between the curved DVD loader on BeoVision 7 and the curved front of BeoLab 7-4.

Mounting Options

All four versions of BeoLab 7 were designed for incorporation with Bang & Olufsen’s motor stand options.

BeoLab 7-4 Product Specifications

Designer: David Lewis

Manufactured: 2005 – ?

Colours: Black, Silver, Dark Grey, Red, Blue

Loudspeaker Two-way mono, active loudspeaker
Power consumption 12W, standby 0.3W
Acoustic Lens Technology – Yes
Amplifier units – Two 250W ICEPower units, one for each driver unit

Frequency range 50 – 20,000 Hz
Drive units 5” woofer/mid-range 3/4” treble
Thermal protection – On each unit
Adaptive Bass Linearisation – Yes

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Master Control Link MCL30 & MCL82

Master Control Link MCL30 & MCL82

Table of Contents

Master Control Link (abbreviated MCL or Link) was a unit which made it possible to control and enjoy a music system from any room in the house that had a Link unit installed. It was operated by infra-red remote control.

The two systems – MCL30 and MCL82 were introduced in 1982. The ’82’ of MCL82 signified the year of its introduction. Both Link systems were predecessors to MCL2 (introduced in 1987) and MasterLink from the early 1990s.

Which Link system for which product?

MCL 82, Type 2041 (1982 – Dec 1997)MCL 30, Type 2050 (1982 – May 1993)
BeoCenter 7000 type 1801/1803/1808
BeoCenter 7002 type 1801
BeoCenter 7007 type 1821 – 1829
BeoCenter 7700 type 1811 – 1819
BeoMaster 5000 type 2321 – 2329
BeoMaster 8000 type 1901 – 1909 (each Link unit had to be modified in order to function) *

BeoMaster 3000 type 2931 – 2939
BeoMaster 6000 type 2251 – 2259 *

* Master Control Link could not be connected to BeoMaster 8000 and 6000 directly because there was no connection for Datalink and supply voltage to the system through extra pins in the speaker sockets. Consequently, it had to be supplemented with an extra box, Type 1006/1007 (MCL-BeoLab kit), which was supplied with special mounting instructions.

Which Remote Control Units could be used?

This chart indicates which remote control units – Master Control Panel or Terminal – may be used in the Link room together with the various music systems:

Master Control Panels

Music systemRemote control with displayTypeOrder no:
BeoCenter 7700Master Control Panel 770020428920420
BeoCenter 7007Master Control Panel 7700 (display operated through Master Control Link)20428020420
BeoMaster 5000Master Control Panel 500020388920380

Terminals

BeoCenter 7700BeoCenter Terminal20438920430
BeoCenter 7007BeoCenter Terminal20438920430
BeoMaster 5000Terminal 500020398920390
BeoCenter 7000 – 7002BeoCenter Control Module 8052115
BeoMaster 8000BeoLab Terminal10028052142
BeoMaster 6000BeoMaster Terminal20358052139
BeoMaster 6000BeoMaster Terminal20358052139
BeoMaster 3000Terminal 300020448920440

Outline of the two Master Control Link Systems

The two Link systems consisted of two parts:

1. Transceiver (infra-red transmitter-receiver with some direct control buttons)

2. Relay box (containing control electronics and connections)

Dimensions 130 x 39 x 22mm

Dimensions: 160 x 110 x 35mm

The two parts were connected and, together with a set of speakers and a control cable, the parts constituted an extra “remote control terminal” for the music system. The control cable was an 8 mm cable run from the music system to the Link unit.
Extra rooms may be added on; all that was required was to install a Master Control Link and a set of speakers in each room and run a control cable from another Link or from a connection box.
The functions available on the music system remote control unit could be operated from Link rooms.

How did Master Control Link work?

The advantage of the Master Control Link is that it was possible to both operate and listen to music in another room. It was possible to listen to radio programmes, records and tapes, adjust volume and to switch the whole music system on and off from any room that had an MCL-unit installed. Operation was effected by means of the Master Control Panel or Terminal available for the music system (such as BeoSystem 5000).
The technical function of the Master Control Link was to pass a control signal to and from a BeoMaster or BeoCenter and to control switching of the speaker set connected.

MCL together with a music system with which a Master Control Panel could be used

When a Master Control Panel button was actuated, an infra-red signal was transmitted to the Transceiver which received the signal and transformed it into a digital code. This digital code was passed on through the relay box to the music system where the desired function was executed and confirmation that the function had been executed was sent back through the same lead. The Transceiver then fed back information to the Master Control Panel which indicated the function achieved on the display.
If the whole system was on stand-by and P1 was actuated on the Master Control Panel, then the following would happen:

  • digital signals were transmitted through the Transceiver and the relay box to the Music System and started it on radio program 1
  • digital signals were also passed to the microcomputer in the relay box and as the speakers were not switched on, this would be effected by the relay

If the next order concerned change of programme or a sound adjustment of the Music System the microcomputer checked the digital code prior to accepting it and passing it on to the Music System, and this is all that will happen in the relay box
The MUTE function, however, applied only to the room from which the system was being operated:

Only the speakers in this room were switched and the order was not passed on to the music system. A stand-by order from the Music System or from another Transceiver in a different room caused all speakers to be switched off.
After installation of a Master Control Link system with which a Master Control Panel was, testing had to be executed with the latter. This was in order to ensure that transmission both to and from the Music System was unimpeded. (Confirmation from the Music System is indicated on the Control Panel display.)

MCL together with music systems with which only Terminal could be used

When a switch on the Terminal is actuated an infra-red signal is transmitted to the Transceiver which receives the signal and transforms it into a digital code. This digital code is passed on through the relay box to the Music System where the desired function is executed.
Speaker control can only be carried out manually by pressing the speaker button on the Transceiver.
An exception to this is BeoCenter 7000/7002 where switching on is carried out automatically when operated with a Terminal, but switching off must be carried out by actuating the Transceiver speaker button.

What may be controlled from the Link room?

Chart of the functions which could be controlled from other rooms through the Master Control Link system by using a Master Control Panel (MCP) or a Terminal:

Operation with MCP or TerminalMusic system:
BeoCenter 7700 – 7007BeoMaster 5000BeoCenter 7002 – 7000BeoMaster 8000BeoMaster 3000BeoMaster 6000
What may be operated?All MCP or Terminal functions (only speakers in room selected were coupled, provided that a Link was mounted in Center roomAll MCP or Terminal functions. Only speakers in room selected were coupledAll Terminal functionsAll BeoLab Terminal functions. Speakers had to be connected to Transceiver box with

All BeoMaster Terminal functions. Speakers had to be connected to Transceiver box with

All BeoMaster Terminal functions. Speakers had to be connected to Transceiver box with

MUTE/MUTINGSpeakers in this room were coupled or uncoupledSpeakers in this room were coupled or uncoupledNo MUTE buttonNo MUTE buttonMUTE button worked when music system was on and for all speakersMUTE button worked when music system was on and for all speakers
RESETAll speakers were adjusted to the pre-set volumeRESET of sound each time BeoMaster was switched on. No RESET buttonRESET of sound each time BeoCenter was switched on. No RESET buttonRESET of sound each time BeoMaster was switched on. No RESET buttonRESET of sound each time BeoMaster was switched on. No RESET buttonAll speakers were adjusted to the pre-set volume
STATUS (MCP only)YesYes
Display function (MCP only)YesYes
Stand-byMusic system went stand-by. Speakers were uncoupled in all roomsMusic system went stand-by. Speakers were uncoupled in all roomsMusic system went stand-by. Speakers remained coupled and were played the next time system was switched onMusic system went stand-by. Speakers remained coupled and were played the next time system was switched onMusic system went stand-by. Speakers remained coupled and were played the next time system was switched onMusic system went stand-by. Speakers remained coupled and were played the next time system was switched on
* If the Link units were connected to the SPEAKERS 1 outputs on BeoMaster 3000 and headphones were connected, the sound in the Link rooms would disappear

Operation from Transceiver

MCL82, Type 2041

If no Master Control Panel or Terminal was at hand in the Link room, operation may be executed, to a limited extent, from the Transceiver box itself. Below are the functions for speaker control and stand-by:

Operation on Transceiver boxMusic system:
BeoCenter 7700 – 7007BeoMaster 5000BeoCenter 7000 – 7002BeoMaster 8000
Speakers in this roomCoupled or uncoupled speakers. Al speakers were adjusted to RESET level. May switch BeoMaster on last program selectedCoupled or uncoupled speakers. May switch BeoMaster on last program selectedCoupled or uncoupled speakers and ‘remembered’ last setting. Did not switch on BeoCenter; this had to be done via Terminal and speakers were coupled automaticallyCoupled or uncoupled speakers and ‘remembered’ last setting. Did not switch on BeoCenter; this had to be done via Terminal
TIMER

Used when music system was switched on by means of time programming

Button in = speakers will be on

Button out = speakers will be off

Button in = speakers will be on

Button out = speakers will be off

Button not operational. Speakers were coupled or uncoupled by

Button not operational. Speakers were coupled or uncoupled by

Stand-bySwitched off whole music system except when recordingSwitched off whole music system except when recordingSwitched off whole music system except when recordingButton not operational

The TIMER was an extension of the time programming feature of BeoCenter 7007, 7700 and BeoMaster 5000. This button was used to determine whether or not the speakers in this room should be coupled: e.g. when the music system had been programmed to switch on say, radio programme 2 at 17:30

MCL30, Type 2050

This transceiver did not allow actual music system operation. By means of only the speakers were switched on (did not switch on the music system).

Speaker functions in Main Room

Music system:
BeoCenter 7700 – 7007 BeoMaster 5000 BeoCenter 7002 – 7007 BeoMaster 6000/8000 BeoMaster 3000
Coupling and uncoupling in same room as music system SPEAKERS 1 button or automatic control through MCL in same room. TIMER button MUTING button SPEAKERS 1 button SPEAKERS 1 button SPEAKERS 2 button (only if Link units were connected to SPEAKERS 1 outputs)
Time programming for starting a program, speakers in same room were desired to be coupled SPEAKERS 1 button or automatic control through MCL in same room. TIMER button Connect phones or automatic control through MCL in same room, TIMER button SPEAKERS 1 button SPEAKERS 1 button
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ML / MCL Product Compatibility

ML / MCL Product Compatibility

Table of Contents

ML Compatibility - Audio Products

BeoCenter 9000

– Has limitations. Not recommended

BeoSystem 3500

– Beolink Converter required

BeoVision LX2500/2800

– not compatible

BeoCenter AV9000

– Compatible

BeoCenter 8000

– no link connections

BeoSystem 4500

– Beolink Converter required

BeoVision LX2502/2802

Beolink Converter required (Limited use as main TV)

BeoVision Avant

– Compatible

BeoCenter 2300

– Beolink Converter required

BeoSystem 5500

– Beolink Converter required

BeoVision MX3500/5500

– Beolink Converter required

BeoVision AV5

– Compatible

BeoCenter 2500

– Beolink Converter required

BeoSystem 5500

– Beolink Converter required

BeoVision LX4500/5500

– Beolink Converter required

BeoVision 3

– Compatible

BeoCenter 8500

Beolink Converter required

BeoSystem 7000

– Beolink Converter required

BeoVision MX 4000/6000/7000

– Beolink Converter required

BeoVision 5

– Compatible

BeoCenter 9300

– Beolink Converter required

BeoSound 2300/2500

– Beolink Converter required

BeoVision MX8000

– Compatible

BeoVision 1L

– Compatible (Options 1 or 2)

BeoCenter 9500

– Beolink Converter required

BeoSound Ouverture/3000

– Compatible

BeoVision LX5000/6000

– Beolink Converter required

BeoVision 6

– Compatible

BeoSound 9000

– Compatible

BeoSound 3200

– Compatible

BeoVision AV9000

– Compatible

BeoSound Century

– Not compatible

BeoCenter 2

– Compatible

BeoVision 1

– Not compatible

BeoSound 1

– Not compatible

BeoCenter 1

– Compatible (only with BC1 updated model: Options 1 or 2)

ML Compatibility - Link-only Products

BeoVision MX4002 – Compatible
BeoLab 2000 – Compatible
BeoLab 3500 – Compatible

MCL Compatibility - Audio Products

BeoCenter 9000

– may need Beolink SW

BeoSystem 3500

– compatible

BeoVision LX 2500/2800

– not compatible

BeoVision AV9000

– ML/MCL Converter required

BeoCenter 8000

– no link connection

BeoSystem 4500

– compatible

BeoVision LX 2502/2802

– Compatible

BeoVision Avant

– ML/MCL Converter required

BeoCenter 2300

– needs ML/MCL Converter

BeoSystem 5500

-compatible

BeoVision MX3000/4500/5000

– Compatible with limitations

BeoVision AV5

ML/MCL Converter required

BeoCenter 2500

– needs ML/MCL Converter

BeoSystem 6500

– compatible

BeoVision MX3500/5500

– Compatible

BeoCenter 8500

– compatible

BeoSystem 7000

– compatible

BeoVision LX4500/5500

– Compatible

BeoCenter 9300

– compatible

BC Ouverture

– needs ML/MCL Converter

BeoVision MX4000/6000/7000

– Compatible

BeoCenter 9500

– compatible

BeoSound 9000

– needs ML/MCL Converter

BeoVision LX 5000/6000

– Compatible

BeoSound Century

– not compatible

BeoSound 1

– not compatible

MCL Compatibility - Link only products

BeoVision MX 4002 – Beolink Converter required (SW 1.3)
BeoLab 2000 – Beolink Converter required (SW 1.3)
BeoLab 3500 – Beolink Converter required (SW 1.3) – BeoLab 3500 works with both ML and MCL

NOTE: for Software updates (SW) always consult your B&O dealer

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BeoMaster 6000

BeoMaster 6000

BeoMaster 6000

A thoroughgoing ‘black box’. Nothing in the shape of the device revealed how it worked or what it was. Only the inscription on the top of the unit told the user just how the black ‘magic mirror’ was brought to life so it could show which function has been activated. The unit was Bang & Olufsen’s first remote-controlled hi-fi system.

Beomaster 6000 History

Beomaster 6000 was the realisation of the Topline prototype on which work had progressed over the preceding years. The long flat cabinet of the Beomaster 1200 with its operation from the top and the depressed knobs was repeated. But the Beomaster 6000 is the first representative of a new phase in Jacob Jensen’s oeuvre. The slide rule motif symbolised mechanical precision, but now the entire idiom is adapted to the abstraction it was necessary to submit in communicating using electronics.

The visually, symbolically and tactilely easily understood slide rule operation belonged to the age of mechanisation and must be understood in extension of the modernistic machine aesthetics of the 1920s. The design of the Beomaster 6000 emphasises that it belongs to the electronic age and that it is part of the virtual, digital epoch. The volume is regulated stepwise by pressing one button to increase volume and another to reduce it. The buttons are gathered together in one large steel sheet, in which ‘tongues’ have been cut. These each have a play of less than half a millimetre as they are electronic micro-switches. The depressed adjustment knob, which made its first appearance in the General Electric radiogram study model around 1960, is an electronic tuner.

” The great quality of the slide rule motif was that it showed both the user’s input (setting) and the device’s output at the same time. The logical consequence of micro-electricity is a division of input and output – the electronics differ from mechanical operation in that their function is invisible. Jensen does what he can, nevertheless, to make it easy to understand what is happening. Input is placed in a silver-coloured control panel, while output (displays) is gathered under a sheet of dark glass. This magical black sheet, ‘the magic mirror’ that lights up while in use, is to give an extra experience over and above the purely aesthetical. The Beomaster 6000 is a very easy advanced quadraphonic radio. In view of the development team, four sound channels required your being able to adapt the sound to your position in the room. In this way, the first remote-controlled hi-fi system became a reality. ” – taken from ‘Jacob Jensen’ by Christain Holmsted Olesen.

Beomaster 6000 features

At the centre of the Beosystem 6000 was Beomaster 6000, a 4-channel amplifier with an FM tuner. Beomaster 6000 had a built-in SQ decoder (4-channel matrix) and was a full remote controlled system. Five FM stations could be pre-selected and there was manual tuning on the large illuminated FM scale. The FM tuner covered 87,5 – 104MHz. Tuning was carried out via feather-touch controls. The amplifier section was designed to cope with all sound reproduction systems: one, two or four channels. It produced 4×40 watts RMS (4 ohms) or 300 watts total music. 4-channel sound reproduction from records was popularly represented by two systems: CD4 discrete and SQ matrix.

CD4 (Compatible Discrete 4 channel) enabled high-quality sound reproduction with a high degree of separation between the four channels. CD4 was called at the time ‘TRUE 4 channel system’. However, many companies chose the SQ system because it was easily transmitted over FM and SQ records could be played on a high quality stereo record player. However, the price of convenience was less channel separation than the CD4 system afforded.

An SQ matrix decoder was incorporated in Beomaster 6000. Basically, its job was to reconstruct sound information for the two rear speakers. For CD4 records this reconstruction took place in the record-player, Beogram 6000.

Operation

Operation of Beomaster 6000 was child’s play. The large flat operation panel had logically grouped controls for all essential functions. Primary functions (e.g. programme source selection, volume, balance, bass and treble controls) were large, prominent, yet unobtrusive easy-touch buttons, while secondary functions (e.g. loudness, hi and low filters, etc) were smaller push buttons. Volume, balance, bass and treble controls were executed by a feather-touch of the finger tip. A servo-motor did the real work. An illuminated scale indicated position and control levels. There were facilities for frequency correction on all 4 channels. Each channel had a frequency range of 20-30,000 Hz. Distortion was lower than 0.1% at full power output.

[H][A=/prod_details.asp?pid=683]Remote Control[[/A]/H]

The cordless (ultrasonic) remote control for the receiver could be bought as an accessory. This unit put you in true control of the music system. All the following functions could be controlled: volume, balance: left and right speakers; balance: front and rear speakers; five pre-selected FM stations; selection of external programme sources: record-player, tape/cassette-recorder; switching on and off (stand-by).

Connections

All necessary connection facilities were incorporated in Beomaster 6000: 4-channel record player, 2 or 4-channel tape-recorder. 4-channel headphones or two sets stereo headphones.

Beomaster 6000 was perfectly matched to partner the Beocord 5000 cassette recorder (introduced 1975). Beomaster 6000 was featured in an exhibition at New York’s MoMA (Museum of Modern Art) in 1975. At the time of its release it was the flagship of Bang & Olufsen’s hi-fi product range and was quite expensive to purchase. The UK price in 1978 was £581.50.

Accessories:

FM room aerial

An FM aerial type 8902010, was designed for use with Beomaster 6000 to be used in the home, within a certain radius of the radio transmitter. It was easily positioned at the rear of Beomaster 6000 and its two telescopic elements could be extended.

BeoMaster 6000 Product Specifications

Type: 2702

Designer: Jacob Jensen

Manufactured: 1974 – 1977

Colours: Rosewood, Teak, White

Power output 1000 Hz RMS: 4 x 40 watts / 4 ohms, 4 x 30 watts / 8 ohms
Music power: 4 x 75 watts / 4 ohms, 4 x 40 watts / 8 ohms
Speaker impedance: 4 ohms
Harmonic distortion: < 0.06 %
Frequency range: 20 – 30,000 Hz
Bass control: +/- 17 dB
Treble control: +/- 14 dB
FM range: 87.5 – 104 MHz
Power supply: 110 – 130 – 220 – 240 V
Power consumption: 10 – 350 watts
Dimensions W x H x D: 67 x 8 x 32 cm
Weight: 16 kg
Connections: AUX , Phono, tape (front)

Batteries for your BM6000 Commander Remote Control:

• Duracell: M504
• Eveready: 504, ER-504
• Gold Peak: GP220
• I.E.C.: 10F15
• NEDA: 504M, 220
• Panasonic: W10, W10E
• Polaroid: 202, 222
• RadioShack: 01386, 0400125, 22049, 22205, 23-509
• Varta: V74PX IEC 10 LR54
• Vinnic: 10LR54

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BeoMaster 6000 Technical Manual

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BeoVox Penta

BeoVox Penta

BeoVox Penta

Smaller, but perfectly formed

For rooms where you didn’t need so much power, Beovox Penta was the little brother which suited you down to the ground. It didn’t have the built-in amplifier or the light display, but it was identical to BeoLab in all other respects.

BeoVox Penta Product Specifications

Type: 6611 (1986 – Dec 1992)

Designer: lone and Gideon Lindinger-Loewy

Manufactured: 1986 – 1992

Colours: Silver

RMS power handling capacity 150 watts
Music power handling capacity 200 watts
Impedance 8 ohms
Frequency range 4+ -8 dB 40 – 20,000 Hz
Power at 96 dB SPL 2.5 watts
Sensitivity 1 W 92 dB
Distortion 250 – 1000 Hz
<0.5%
Distortion > 1000 Hz <0.5%
Cabinet principle: Bass reflex
Woofer: 4 units 13 cm
Mid-range: 4 units 8 cm
Tweeter: 2.5 cm
Net volume: 32 litre

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Wiring Diagrams

Wiring Diagrams

Table of Contents

All wiring diagrams to plugs and sockets are shown from the soldering side.

MasterLink cable

Note: For older-type ML cable, the colour coding is slightly different. This image refers to current ML cable.

Master Control Link cable

DataLink Cable 7/7 pin A/V Cable

21-pin A/V cable with RGB connection:

Receiver cable

Infra-red eye wiring

Headphones

B&O Motorised Stand

Note that the technical specifications for the motorised stand changed from Product ref. MX6/7 to MX8. Newer models also have a different stand connection

RGBHV Cable (15-Pin D-SUB)

15-Pin D-SUB

Power Link cable with wire for display, also for BeoLab 5

Power Link cable 8/8 pin

(Note: On BeoLab3 there is a blue wire (pin 7) in addition to the wires shown here on the PowerLink diagram. This appears to be a voltage reference for the speakers, and with a single three core wire + screen feeding both speakers, this needs to be connected to the screen.

Failure to connect this pin does not have too much of an effect on the system -UNLESS- you connect up something like a PC2 which ties the stereo to Earth potential through the MasterLink cable, and without the “blue reference” the speaker inputs can float to around 100V above Earth and cause interference between the speakers and the 3000, manifesting as a quiet buzzing noise in the Lab3s. (I rather suspect there was actually an impact on sound quality from no Blue connection but cannot measure it) – Stephen Lewis)

Power Link cable

Speaker Link cable

Audio Aux Link / Power Link connections

Aux Link cable

white data
blue left channel input
green right channel input
shield ground
red right channel output
yellow left channel output
black data ground

male to male, using unterminated cable number 6250265 and plug number 7220688 or 7220701. For connection between video system and audio system. Maximum length: 100m

Aux Link/Datalink cable

white data
blue left channel input
green right channel input
shield ground
red right channel output
yellow left channel output
black data ground

male plug to wall plate, using unterminated cable number 6250265. Use male plug number 7220688 or 7220701 and an 8-pin wall plate number 7210473. Used for connecting local sources when MCL 2AV is concealed

Aux Link Wall Plate

Audio System Video System
white data data
blue left channel input left channel output
green right channel input right channel output
shield ground ground
red right channel output right channel input
yellow left channel output left channel ground
black data ground data ground

wall plate to wall plate, using unterminated cable number 6250265 and two 8-pin wall plates number 7210473. Used for connection between audio and video systems within the wall wiring

Switch for deactivation of MCL

Audio Aux Link

MCL cable from audio systems to terminal

green right channel hot
brown right channel ground
pink DC supply 7.5 – 8.5 VDC
yellow left channel hot
grey left channel ground
white data
shield data and ground DC ground

MCL cable from audio systems to terminal strip in MCL2 relay box. NOTE: Use pre-made MCL cables for connection to the audio system whenever possible

MCL cable, 2 x 3-pin MCL to 8-pin DIN plug

green right channel hot
grey left channel ground
white data
shield data and DC ground
brown right channel ground
pink DC supply 7.5 – 8.5 VDC
yellow left channel hot

MCL cable, 2 x 3-pin MCL to 8-pin DIN plug. For connection between audio systems and link system via an 8-pin wall plate. Use pre-made MCL cable for connection to the audio system if at all possible

MCL cable between 8-pin DIN wall plate

green right channel hot
brown right channel ground
pink DC supply 7.5 – 8.5 VDC
yellow left channel hot
grey left channel ground
white data
shield data and DC ground

MCL cable between 8-pin DIN wall plate and MCL terminal strip. For connection between audio system and link system via an 8-pin wall plate

Speaker link cable from audio system or MCL to 4-pin wall plate

green or brown signal hot
shield signal ground
white display data
shield data ground

Speaker link cable from audio system or MCL to 4-pin wall plate using speaker plug number 7220040. Use unterminated link cable number 6250246 or 6250267

PowerLink cable, male to male

brown left audio signal
green right audio signal
shield: brown/green left/right ground
grey on/off
yellow on/off
pink APHC
white data
shield: white data ground

PowerLink cable, male to male, using unterminated cable number 6250277 and plug number 7220345. Maximum length 100m

PowerLink cable, male to female (extension)

brown
green
shield: brown/green
grey
yellow
pink
white
shield: white

PowerLink cable, male to female (extension) using unterminated cable number 6250277, male 8-pin plug number 7220345 and female 8-pin plug number 7220235 or 8-pin DIN wall plate number 7210473. Maximum length component to component: 100m

PowerLink cable, female to female

brown
green
shield: brown/green
grey
yellow
pink
white
shield: white

PowerLink cable, female to female, using unterminated cable number 6250277 and two female 8-pin DIN plugs number 7220235 or two 8-pin DIN wall plates number 7210473

PowerLink 1 & 2

Using a non-B&O sub-woofer

his circuit is designed to use a non-B&O sub-woofer or amplifier with PowerLink sockets.

It’s easy to built and at low cost. In fact that the 5 V DC from the PowerLink socket on pen 4 can’t activate a relay directly you will need a circuit like this.

Parts which I’ve used are easy to buy at electronic shops. You need in total:

1 AC/DC Adaptor 12 V DC
1 IC LM 7806
2 Caps 100Nf 63V
1 Diode 1N4148
1 Resistor 2K2
1 Transistor BC 338
1 Relay 6V DC

Connection of the circuit is as follows:

Connect the adaptor to the 12V and earth of the circuit, connect pin 4 from the PowerLink to the 5V DC PowerLink in of the circuit. When switching on the B&O the relays will switch and connect the 230V AC line into the amp you use. That’s it. For heavy amps you can let the relay switch on a second heavy-duty relay, which will switch on the power line.

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BeoLab Penta

BeoLab Penta

BeoLab Penta

These tall and elegant speakers were developed according to a totally new acoustic principle. They sounded just as magnificent as they looked. Because there were no parallel surfaces in the pentagonal cabinet, the design reduced the internal standing waves and reflection; it was a simple and beautifully effective way of eliminating distortion. The cabinet provided the ideal conditions for the loudspeakers. It was an acoustically ‘dead’ construction, with a moulded inner cabinet surrounded by a stainless steel exterior. Whatever the dimensions of your room, and regardless of the furnishings, BeoLab Penta always sounded wonderful. It also needed very little floor space; head room was all that’s required!

BeoLab Penta was the top-of-the-line speaker from Bang & Olufsen. It was around from the late ‘eighties to the mid-1990s and was upgraded several times. The last version of the active Penta was the Penta 3. In the late 1980’s – when the Penta range was introduced – there was also a passive version, Beovox Penta. But since Bang & Olufsen decided in the 1990s just to concentrate on active speakers, these and some other models, such as the Beovox 4500 and most of the RedLine speakers, were discontinued.

Did you know that the display in Penta I and Penta II was orange and and on Penta III it turned green?

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity.

The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.

BeoLab Penta had nine individual loudspeaker units that were accurately positioned in a vertical line to produce a sound dispersion which was so precise that reflections from the floor and ceiling were eliminated. Consequently, Penta speakers could be placed almost anywhere in a room, irrespective of its size or furnishings. The operating panel at the base of BeoLab Penta allowed for the fine tuning of the bass reproduction at three levels.

The speaker’s cross section was a pentagon. The benefit of this design was that it cannot house standing waves which normally are a problem in speakers. The choice of using polished stainless steel was made to help the speaker blend into its surroundings by reflecting them. This gave the speaker the same colour as the surroundings which helped to make the speaker more of a subtle fixture,

Sound with as many facets as a diamond

The location of the speakers within the column was carefully planned to control the sound waves so that they weren’t reflected by the floor and ceiling. The resulting sound quality simply beggared description.

BeoLab 150: Controlled overdrive

At the base of BeoLab Penta was the BeoLab 150 amplifier with a power output of 175 watts DIN/IEC. This could give your music a tremendous boost, both to the quality and the actual power output. It was ideal if you love partying but had a relatively small music system. Big power needs careful control – so the amplifier was equipped with Dynamic Soft Clipping system. When there was any overloading, the system softly rounded off the sound; distortion becoming a thing of the past.

Speakers that more than measure up

Top quality music systems need the best speakers available – or you’re missing out. BeoLab Penta was the natural partner for Bang & Olufsen’s Beosystem 5000 and Beocenter 9000, with their built in CD players. The laser-pure quality of compact disc makes heavy demands on speakers, and both these systems had extremely fine amplifiers. Using BeoLab Penta with these systems and you’d enjoy some of the best sounds in the world. You’d also appreciate handy features such as the light display at the base of the column, which indicated which music source was being used. Of course this was even more useful if you installed Beolink® to give you music all over the house.

BeoLab Penta Product Specifications

Beolab Penta 1

Type: 6601 1986 05-89
Type: AUS 6605 1986 10-89
Type: GB 6602 1986 10-89
Type: J 6604 1986 11-89
Type: USA 6603 1986 11-89

Beolab Penta 2

Type: 6621 1989 05-92
Type: AUS 6625 1989 09-91
Type: GB 6622 1989 10-91
Type: J 6624 1989 01-92
Type: USA 6623 1989 12-91

Beolab Penta 3

Type: 6631 1991 05-2000
Type: AUS 6635 1991 05-2000
Type: GB 6632 1991 05-2000
Type: J 6634 1991 05-2000
Type: USA 6633 1991 05-2000

Designer: Lone and Gideon Lindinger-Loewy

Manufactured: 1986 – 2000

Colours: Aluminium/Grey

Beolab Penta 1

Type no; year intro; last sold:
6601 1986 05-89
AUS 6605 1986 10-89
GB 6602 1986 10-89
J 6604 1986 11-89
USA 6603 1986 11-89

RMS power handling capacity 150 watts
Music power handling capacity 200 watts
Frequency range +4 -8 dB 40 – 20,000 Hz
Power at 96 dB SPL 2.5 watts
Sensitivity 92 dB

Distortion 250 – 1000 Hz <0.5%
Distortion >1000 Hz <0.5%

Cabinet principle: Bass reflex
Woofer
4 units 13 cm
Mid-range 4 units 8 cm
Tweeter 2.5
Net cabinet volume: 32 litres

Power amplifier:
Bass level switch Linear, +3 dB/40 Hz, +6 dB/40 Hz
Sensitivity 3 dB, -3 dB, -6 dB

Power supply
6601 : 220V
6602/6605 : 240V
6603 : 120V
6604 : 100V
Power frequency 50-60 Hz
Power consumption Max 300 W
Stand-by 2 W

Dimensions W x H x D
5-13.5 x 165 cm incl. stand
Weight 24 kg

Connections: Line Phono plugs
Power input 4-pin DIN spring loaded contacts

Beolab Penta 2

Type no; year intro; last sold:
6621 1989 05-92
AUS 6625 1989 09-91
GB 6622 1989 10-91
J 6624 1989 01-92
USA 6623 1989 12-91

Long-term maximum power IEC 320 watts
Maximum noise power IEC 150 watts

Impedance
8 ohms

Frequency range +4/-8 dB
40 – 20,000 Hz

Power at 96 dB SPL (1m)
2.5 watts
Sensitivity 1 W (1m) 92 dB
Distortion 0.250 – 6 kHz <0.5%
Cabinet principle: Bass Reflex
Woofer: 4 units 13 cm
Mid-range: 4 units 8 cm
Tweeter: 2.5 cm

Net cabinet volume:32 litres

Power amplifier:
Long-term maximum power IEC 300 watts
RMS DIN 175 watts
IHF 150 watts

Total harmonic distortion IHF <0.015%
Intermodulation IHF <0.02%
Dynamic headroom >1.5 dB

BASS EXTENSION switch
0 dB, + 3 dB, + 6 dB
INPUT LEVEL switch 0 dB, -3 dB, – 6 dB
Dynamic Clipping Attenuator Automatic

Power consumption
Max. 300 W
Stand-by 2 W

Dimensions W x H x D
22 x 165 x 20.5cm
Dimensions, stand 35.5 x 4 x 34 cm
Weight 24 kg

Connections: Power Link
Speaker Link


Beolab Penta 3

Type no; year intro; last sold:
6631 1991 05-2000
AUS 6635 1991 05-2000
GB 6632 1991 05-2000
J 6634 1991 05-2000
USA 6633 1991 05-2000

Dimensions W x H x D/Weight: 22 x 165 x 34cm / 12kg
Cabinet finish: Stainless steel

Power consumption
Typical 24 watts/stand-by < 2.5 watts
Mains 6630 KOR 120V
6631 EU 230V
6632 GB 230V
6633 USA-CDN 120V
6634 J 100V
6635 AUS 240V

Maximum sound pressure level (stereo, pair)
103 dB
Power amplifier modules 1 unit
Long-term maximum output power per module* 281 watts
Effective frequency range* 39 – 20,000 Hz
Cabinet principle Bass Reflex
Magnetic shielded No
Woofer 4 x 13 cm
Midrange 4 x 8 cm
Tweeter 2.5 cm
Net volume 32 litres
Bass equalizer Switch 0 dB, -3 dB, +6 dB

*According to IEC 268-3 and 268-5

Connections: Power Link 2
Phono (line) 1
Speaker Link

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BeoCord 1500 De Luxe

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BeoLab 8002

BeoLab 8002

BeoLab 8002

An update of the long running Beolab 8000, the Beolab 8002 introduced new drive units powered by a pair of ICE amplifiers rated at 125W each.B&O themselves commented that sound quality was unchanged and so this can be seen as a rationalising of the range rather than a radical overhaul of a much loved icon.

The mode LED was repositioned, but otherwise it seemed business as usual. A three way switch for room positioning was now included at the expense of the phono socket previously fitted. As before, only one Powerlink socket was provided.

BeoLab 8002 Product Specifications

Designer: David Lewis

Manufactured: 2010 – ?

Colours: Polished Aluminium

Cabinet/Cover:
Black/black, dark grey/dark grey, red/black, blue/black,
silver/black, silver/white, golden/black

POWER CONSUMPTION
Typical: 19 W; Networked standby: 0.4 W


LONG-TERM MAXIMUM OUTPUT

POWER AMPLIFIER, BASS
125 W, Class D, ICEpower

POWER AMPLIFIER, TWEETER
125 W, Class D, ICEpower

EFFECTIVE FREQUENCY RANGE*
48-28,000 Hz

SENSITIVITY**
88 dB SPL re 125 mVrms re 1m

CABINET PRINCIPLE
Bass reflex

CABINET VOLUME
5.3 litres

BASS DRIVER
2 x 4″ cone

TWEETER
¾” dome


Adaptive Bass Linearisation (ABL)
Room adaptation
Thermal protection

CONNECTIONS
1 x PowerLink
Line in via PowerLink

ACCESSORIES
Wall bracket, black
Stand, black
Cover


ROOM ADAPTATION
Free, Wall or Corner position


MAGNETICALLY SHIELDED
No. Must be placed > 50 cm from picture tube

INPUT SENSITIVITY (POWER LINK)
125 mV (88dB SPL)

INPUT SENSITIVITY (LINE)
125 mV (88dB SPL) – Auto switch on

SWITCH-OFF TIME (LINE)
3 min.

INDICATOR
On/Off LED

OPERATION
Switch for Free, Wall, Corner
Switch for Left – Right – Line (via PL plug)

PROTECTION
Thermal protection of all drivers.
ABL system protects the bass unit against mechanical damage.

POWER SUPPLY
Automatic voltage adaptation 100-120 Vac or 190-240 Vac



MEASUREMENT CONDITIONS:
*EFFECTIVE FREQUENCY RANGE is measured at -10 dB re. Ref level (200-2000 Hz)
**SENSITIVITY is measured at dB SPL 1m re 125 mV

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BeoLab 8000

BeoLab 8000

BeoLab 8000

As easy on the eye as they are on the ear, BeoLab 8000 loudspeakers defy conventional thinking in delivering the maximum sound from the minimum of space.

There’s not much point in thinking about BeoLab 8000 in terms of watts, woofers or tweeters. There has never been loudspeakers that look like this – or so clear and rich a sound produced from such slender cabinets. BeoLab 8000 represents both the engineering skills as well as the design capabilities from Bang & Olufsen. Nobody has ever built a speaker with such little net volume, only 5,3 litres, with such an impressive sound.

As with all modern B&O speakers, the 8000s are active, meaning that each element has its own amplifier. In fact, each speaker holds two amplifier units. The biggest advantage in separating the amplifiers is that it enables the loudspeakers the ability to obtain maximum sound pressure from each element without distortion. The 8000s use the same reflective finish as the BeoLab Penta allowing them to blend well into their surroundings. By 2001 BeoLab 8000 became the most popular active speaker to date.

” When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible “ – Bang & Olufsen catalogue 2001 – 2002

There’s no great secret to creating good speakers – but they do (normally) have to be big. When it comes to speakers, one of the driving forces behind Bang & Olufsen’s product development is combining the most modern of technology with good aesthetics. The result is that the company avoids filling people’s houses with speakers the size of phone boxes; instead replacing them with elegant pillars or beautifully-designed wall-mounted units. Formed from a single piece of aluminium that eliminates the distortion problems of traditional speakers, BeoLab 8000 is mounted on a solid, cast iron base and will create the perfect effect wherever you choose to place it.

Placing the amplifiers directly into BeoLab 8000 not only improves its overall sound performance, it also makes it possible to reduce its size by up to a third. This active loudspeaker technology gives B&O the freedom to combine the purest of sounds with the simplest of shapes. A slim 132cm tall and just 10cm in diameter the graceful column of BeoLab 8000 will never dictate any furniture arrangements.

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units.

Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from (See active speakers).

Deep bass: how to make deep bass with a shallow cabinet

All loudspeakers, regardless of brand, size or construction, make sound by converting electric energy into acoustic energy. They push air in waves, which is what our ears pick up. To get high sound pressure, you need to move a lot of air.

You can use a very large diameter loudspeaker membrane, which moves a very short distance. Or (as Bang & Olufsen prefer), you can make the membrane “deeper”, in other words, make it move a greater distance with a smaller diameter. Imagine two balloons, one round and shaped like a ball, the other long and tubular. Both contain the same amount of air; it’s simply their shapes that are different. A side benefit to the deeper membrane is that it allows a smaller cabinet, with greater freedom as far as form and function are concerned. Since no two loudspeaker units have exactly the same physical characteristics, Bang & Olufsen calibrate them individually to make certain that the sound of each and every loudspeaker leaving our factory is identical.

By employing an active electronic crossover network with equalization, we’re able to adjust frequencies before they’re amplified. The signal from the sound source is shaped before distribution to the separate power amplifiers for bass and treble. In this way, the performance of the various components is “fine-tuned”, until they produce an ideal, harmonised output, which will be the same, no matter which BeoLab loudspeaker you feast your eyes upon.

The custom made driver units of a BeoLab loudspeaker feature extra-heavy membranes with longer movement, which help produce a deeper bass.

Adaptive Bass Linearisation

Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.

The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.

ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.

BeoLab 8000: active loudspeaker, 2 power amplifier modules, adaptive bass linearisation, aluminium cabinet and solid iron (11kg) base.

News: From January 2003, BeoLab 8000 was obtainable with new driver units giving extra bass at low levels. While not delivering as much as a BeoLab 2 (dedicated sub-woofer) the bass drivers with the newer BeoLab 8000 have a marked improvement over their predecessors. The upgrade involved new frequency equalization and improved ABL system. These improvements are mostly apparent at high volume levels. The changes are implemented form serial 16992475 onwards.

BeoLab 8000 Product Specifications

Type: EU 6801 1992
Type: GB 6802 1992
Type: USA-CDN 6803 1992
Type: J 6804 1992
Type: AUS 6805 1992
Type: KOR 6806 1998

Designer: David Lewis

Manufactured: 1992 – ?

Colours: Aluminium, Black, Dark Grey, Red, Blue

Specifications (from Aug 2005):
Dimensions W x H x D/Weight: 17 x 132 x 17 cm/20 kg
Cabinet/cloth finish Aluminium/black, black/black, dark grey/dark grey, red/black, blue/black

Mains 6801 EU 230V
6802 GB 230V
6803 USA-CDN 120V
6804 J 100V
6805 AUS 240V
6806 KOR 220V Maximum sound pressure level (stereo, pair) 99 dB
Power amplifier modules 2 units, Class AB
Long-term maximum output power per module* 143 watts
Effective frequency range* 52 – 20,000 Hz
Cabinet principle Bass Reflex
Magnetic shielded Yes
Woofer 2 x 10 cm
Tweeter 1.8 cm
Net volume 5.3 litres
Bass equalizer Adaptive (ABL)

*According to IEC 268-3 and 268-5

Connections:
Connections: Power Link 1
Phono (line) 1
Power consumption: typical 12 W/stand-by < 2.5 W

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BeoLab 8000 Wall Bracket

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BeoLab 6002

BeoLab 6002

BeoLab 6002

An update to the cheapest of the column speakers, this saw the Class AB amplification discarded along with the large heat sinks. Instead 2 cool running ICE amplifiers were fitted, both rated at 125W.

The LED was repositioned and the finish of the foot changed to match the TV range. A three position switch for wall, corner and free position settings was now fitted and the previous model’s phono plug was deleted. 2 Powerlink sockets were still present though.

BeoLab 6002 Product Specifications

Designer: David Lewis

Manufactured: 2010 – ?

Colours: Polished Aluminium

CABINET FINISH:
Aluminium/Black, Black, Blue, Dark grey, Red, Silver, Golden, White

POWER CONSUMPTION
Typical: 19 W; Networked standby: 0.4 W

LONG-TERM MAXIMUM OUTPUT

POWER AMPLIFIER, BASS
125 W, Class D, ICEpower

POWER AMPLIFIER, TWEETER
125 W, Class D, ICEpower

EFFECTIVE FREQUENCY RANGE*
46-27,000 Hz

SENSITIVITY**
88 dB SPL re 125 mVrms re 1m

CABINET PRINCIPLE
Bass reflex

CABINET VOLUME
3 litres

BASS DRIVER
2 x 3½” cone

HIGH FREQUENCY DRIVER
¾” dome

FEATURES

Adaptive Bass Linearisation (ABL)
Room adaptation
Thermal protection

CONNECTIONS
2 x Power Link
Line in via Power Link

ACCESSORIES
Wall bracket, silver
Stand, black
Cover

ROOM ADAPTATION
Free, Wall or Corner position


MAGNETICALLY SHIELDED
No. Must be placed > 50 cm from picture tube

INPUT SENSITIVITY (POWER LINK)
125 mV (88dB SPL)

INPUT SENSITIVITY (LINE)
125 mV (88dB SPL) – Auto switch on

SWITCH-OFF TIME (LINE)
3 min.

INDICATOR
On/Off LED

OPERATION
Switch for Free, Wall, Corner
Switch for Left – Right – Line (via PL plug)

PROTECTION
Thermal protection of all drivers.
ABL system protects the bass unit against mechanical damage.

POWER SUPPLY
Automatic voltage adaptation 100-120Vac or 190-240Vac



MEASUREMENT CONDITIONS:
*EFFECTIVE FREQUENCY RANGE is measured at -10 dB re. Ref level (200-2000 Hz)
**SENSITIVITY is measured at dB SPL 1m re 125 mV

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