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BeoLit 800

BeoLit 800

BeoLit 800

A renamed Beolit 611T, with novel features such as the rubberised feet that extended from the cabinet when the handle was moved downwards, allowing the set to be positioned on its side without danger of marking the cabinet. This wood-clad model was positioned towards the top of the Beolit range at the time, with only the mighty Beolit 1000 its superior in terms of looks and performance.

Essentially a Beolit 700 chassis with some minor modifications, mounted in a wooden cabinet, the Beolit 800 fitted neatly in the Beolit range between the 700 and the very well specified 1000. The set was powered by 6 ‘D’ sized cells, and covered FM, LW, AM and SW wavebands, with the latter having its own dedicated rod antenna (both could be used for FM coverage). These were positioned at opposite ends of the chassis, unlike the Beolit 700 where they were placed next to each other, and gave a particularly pleasing symmetry when deployed when the set was operating on its side using the handle as a stand and the feet built into the cabinet.

For its time the Beolit 800 was a well specified portable radio and commensurate with its price tag, B&O equipped the set with features that would be expected of a radio at the higher end of the market. Connections for an external speaker or headphones, and a tape recorder or gramophone were located at the bottom of the set, with cut outs on the bottom plate for the cables to exit if connected. Treble and bass controls were provided, as was a separate tuning scale for the FM band. A duplex drive was fitted to allow a single tuning knob to be used on both the LW/AM/SW and FM tuning scales depending on which band had been selected. Like many of the other Beolits, the 800 included a ‘Radicator’, which served the dual purpose of showing the battery voltage when no station was tuned in, or the extent to which the receiver was tuned to a particular station. This latter function was particularly useful if the owner wished to use the set to take bearings using the internal ferrite rod antenna.

One interesting feature not copied on other Beolits was the use of a series of sliding indicators in a channel running underneath the FM tuning scale. Presumably an early and simple form of pre-sets, these could be lined up with a particular station’s frequency, and used to quickly line up the tuning pointer to these frequencies. A useful feature no doubt, but a disappointing one aesthetically as the sliders were made of flimsy plastic, and did not do justice to an otherwise visually pleasing set that was well constructed using mostly wood and metal parts. Overall though, the Beolit 800 was a well thought through addition to the Beolit range, offering as it did a range of placement options in an elegant wooden cabinet for the discerning customer. When it was withdrawn in 1968 it was not replaced directly, and the mainstay of the Beolit range to come in the form of the Beolit 600, took some of its styling cues from the Beolit 1000, leaving the 800 and the 1000 as the last Beolits to be offered with a wooden cabinet.

Review kindly written by Beoworld member John Barker

BeoLit 800 Product Details

Type Numbers

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Designer

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Manufactured

1965 – 1968

Colour Options

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BeoLit 800 Product Specification

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BeoLit 700 (1972)

BeoLit 700 (1972)

BeoLit 700 (1972)

Beolit 700 Type 1505 was equipped with FM, LW and MW. The radio was compact and light and offered extremely high quality sound. There were sockets for one external speaker and for a record player or tape player/recorder. The portable radio was produced for the European marked and used 220-240V, 50Hz 0,7-5W, or a set of five size-D, 1,5V batteries.

The Beolit was one of the very few portable radios that were suitable for reproducing more than just news broadcasts. Sound quality was so good that music programmes could be reproduced with a quality that made them worth listening to. The Beolit was fitted with a mains transformer and a detachable lead. Operation was simple and problem-free. And since portable radios can end up in unenviable situations, the Beolit was constructed to withstand some rough treatment. A robust chassis protects the internal circuitry and a special surface treatment protects the radio from scratches. Dirty marks were easily removed with a damp cloth.

BeoLit 700 (1972) Product Specifications

Type: 1505 (1972 – 1973)

Designer: Jacob Jensen

Manufactured: 1972 – 1973

Wave bands:
FM 87.5 – 104 MHz
MW 520 – 1610 kHz, 578 – 186 m
LW 147 – 350 kHz, 2040 – 857 m

Amplifier:
Power output Better than 1.2 W
Frequency Response 50 – 20,000 Hz +/- 3 dB
Distortion Less than 1 % at 50 mW / 1000 Hz
Impedance: 4 ohms
Continuous load 3 W
Frequency range 60 – 15,000 Hz

Mains voltage: 220 – 240 V
Batteries 7.5V (five 33 x 60.5 mm 1.5 V dry cells)

Dimensions H x W x D 22 x 36 x 6cm
Weight 2.55 kg

Connections: Inputs:
Gramophone, high impedance: sensitivity 160 mV – 1000 Hz / 200 k ohms
Tape recorder: sensitivity 160 mV – 1000 Hz / 200 k ohms
Outputs:
Extension speaker 4 ohms
Tape recorder: Output signal: Max. 100 mv / 1000 Hz at 100 % modulation. Output impedance: Approx. 40 k ohms

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BeoLit 707

BeoLit 707

BeoLit 707

Beolit 707 received radio programmes on FM, long and medium wavebands. This portable radio was Bang & Olufsen’s handiest music system. Its sound reproduction quality was so outstanding that it invites even critical music lovers to listen to music programmes when they are away from home.

Power input was specified at a pure 1 watt and frequency range was 65-20 000 Hz: exceptional for a transportable radio receiver. A large tuning scale with thumb wheels made tuning easy. Bass and treble was adjusted separately and there was an AFC facility to keep FM stations correctly tuned.

Beolit 707 could be plugged into the mains supply or run from batteries. The cabinet was finished in coloured Nextel – a synthetic material with a suede-like finish which is washable ands scratch-proof. It was designed by Jacob Jensen, the same as its FM-only sibling, Beolit 505.

The Beolit was one of the very few portable radios that were suitable for reproducing more than just news broadcasts. Sound quality was so good that music programmes could be reproduced with a quality that made them worth listening to. The Beolit was fitted with a mains transformer and a detachable lead. Operation was simple and problem-free. And since portable radios can end up in unenviable situations, the Beolit was constructed to withstand some rough treatment.

A robust chassis protects the internal circuitry and a special surface treatment protects the radio from scratches. Dirty marks were easily removed with a damp cloth.

BeoLit 707 Product Specifications

Type: 1515 (1975 – July 1981)

Designer: Jacob Jensen

Manufactured: 1975 – 1981

Colours: black, white, red, blue, beige

FM tuner 87.5 – 104 MHz
Sensitivity 26 dB < 1.2 µV / 75 ohms
AM tuner LW 147 – 350 kHz
AM tuner MW 520 – 1610 kHz

Power output at specified distortion 1000 Hz RMS: 1 W / 4 ohms
Speaker impedance 4 ohms
Harmonic distortion 1000 Hz, 50 mV output < 0.8% 1000 Hz at specified output < 2%
Frequency range +/- 1.5 dB 90 – 15,000 Hz

Dry cells: 5 batteries. 33 x 60.5mm
Voltage 220 – 240 V
Power consumption 0.7 – 5 W

Dimensions W x D x H: 36 x 22 x 6cm
Weight 2.91kg

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BeoLit 600 (1964)

BeoLit 600 (1964)

BeoLit 600 (1964)

“FM, Long Wave, Medium wave and Marine band. Push-button band switching. Built-in AM aerial. Telescopic whip for FM. Flywheel tuning. Separate bass and treble controls. Jacks for external aerial, extension speaker and gramophone. Rugged weather-resistant cabinet of impact-proof polystyrene in four elegant two-colour combinations. Car mounting bracket available. Dimensions: 223 mm high, 320 mm wide, 109 mm deep. ” – taken from the 1967 – 1968 Bang & Olufsen product catalogue (Read more on the BeoWorld Connoisseurs’ Club)

Beolit 600 was a very popular transistorised radio set of the mid-1960s. Unusually for the time, it featured an FM band, made possible by special transistors which had recently become available. These, like the others in the set, were sourced from Siemens, but were similar to those being made by Philips/Mullard. The output level was high for a transistor set, so a lot of power was needed. This came from six “D” size batteries mounted in an internal box. Access was through the bottom of the set, and would have been frequent if high volume settings were regularly used! There was no option of mains power for this model, the Beopower 600 mains adaptor was only suitable for sets made after 1970, which were of a completely different design.

The set was solid and sturdy, the plastic panels on the outside being purely cosmetic. Inside, there was a metal framework holding all the internal parts including the loudspeaker. Damping materials were fitted in places where it was thought resonance may occur. The styling was much admired, particularly by Murphy Radio, who copied it accurately in one of their models.

Beolit 600 included features such as proper treble and bass controls, a dual function battery and tuning meter (this changed function automatically when a broadcast was received), headphone and tape recorder sockets and coverage of the marine band (on the lower frequency short waves).

In 1970 Beolit 600 was replaced by the new Beolit 600 ‘colour radio’ range.

BeoLit 600 (1964) Product Specifications

Manufactured: 1964 – 1970

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BeoLit 505

BeoLit 505

BeoLit 505

Beolit 505 was a pure FM radio with AFC facility to ensure clean, sharp reception. It had an in-built large, high quality speaker together with a built-in telescopic aerial. It had six programme indicators (affixed to sliding tuning scale) and connection for a tape recorder. It was designed by Jacob Jensen, the same as its FM and AM bigger brother, Beolit 707.

The Beolit was one of the very few portable radios that were suitable for reproducing more than just news broadcasts. Sound quality was so good that music programmes could be reproduced with a quality that made them worth listening to. The Beolit was fitted with a mains transformer and a detachable lead. Operation was simple and problem-free. And since portable radios can end up in unenviable situations, the Beolit was constructed to withstand some rough treatment.

A robust chassis protects the internal circuitry and a special surface treatment protects the radio from scratches. Dirty marks were easily removed with a damp cloth.

BeoLit 505 Product Specifications

Designer: Jacob Jensen

Manufactured: 1975 – 1981

Colours: Black, Red , White

FM tuner 87.5 – 104 MHz
Sensitivity 26 dB < 1.2 µV / 75 ohms

Harmonic distortion
< 1.2 %
Power output at specified distortion 1000 Hz RMS 1 watts / 4 ohms
Speaker impedance 4 ohms
1000 Hz at specified output < 2%
Frequency range – 1.5 dB 90 – 15,000 Hz

Dry cells
5 pcs. 33 x 60.5mm
Voltage 220 – 240 V
Power consumption 0.7 – 5 watts

Dimensions W x D x H
36 x 22 x 6 cm
Weight 2.62

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BeoLit 500 (1965)

BeoLit 500 (1965)

BeoLit 500 (1965)

In the 1960’s, small, transistorised radios became extremely popular. This was a result of miniaturisation of electronics products. The world leaders on the road to miniaturisation as we know it today, were the Japanese. Bang & Olufsen eager to come up with its own idea of making products smaller, designed its own transistorised radio: the Beolit 500.

An FM transistor set, entirely without dial, with push-button selection of up to five pre-tunable stations. The Beolit 500 has a large high-performance speaker, a telescopic FM whip, jacks for tape recorder, gramophone and extension speaker, automatic frequency control, and good battery economy. An attractive extra feature: the Beolit 500 can be used as an intercom system. Dimensions: 76 mm high, 264 mm wide, 191 mm deep. Choice of teak or Brazilian rosewood finish. Not available in the UK.

Beolit 500, type 1101 is one of those so-called ‘transistor radios’ – a small portable radio that could be carried around. However, Bang & Olufsen worked on the assumption that these small ‘portable’ radios were most often stationary. As well as an FM radio receiver, Beolit 500 could be used as an intercom via an extra loudspeaker (that it could also be adapted to receive police radio communications by short-circuiting a couple of switches was an entertaining, but unintentional side-effect).

Sockets for an external 7.5V power supply (via Beopower 600) and a tape recorder were fitted.

Beolit 500 won the iF Design Award in 1966.

BeoLit 500 (1965)1965 Product Specifications

Designer: Acton Bjørn and Sigvard Bernadotte

Manufactured: 1965 – 1969

Colours: Rosewood

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BeoLit 400

BeoLit 400

BeoLit 400

A new range of transportable radios – the Beolit – was launched in 1970. The sound reproduction was unusually good – so good that many of the Beolits are still in use. In principle, the units were battery-powered, but the 600 version could also be connected to the mains. An amusing detail was the indication, of the selected station. This was shown by a small metal ball which moved behind a glass cover in parallel with a magnet on the exterior control slide and was thus encased and protected. Despite its sophisticated exterior, the Beolit was extremely robust.

Beolit 400 was a basic FM-only portable radio, in much the same way as its replacement, Beolit 505. The case was partly aluminium, partly coloured plastic, which formed the front and rear panels. Bright colours such as red, yellow, green and purple were offered, along with black. As the panels were only clipped on and did not form part of the chassis, they could be replaced with different coloured ones at a later date.

The design allowed the set to be used vertically or horizontally, supported by its handle. Even though there was only one loudspeaker, there were grilles on both sides of the radio, so that sound was distributed evenly from both directions. The sliding dial on the top of the radio was similar to that offered on Beomaster 901. A transparent plastic pointer, like that of a slide rule, was slid across the top in order to adjust the tuning, little wheels fitted to the side could be used for accurate setting. Little markers could be set, whose projecting tops slightly blocked the pointer on its way past, providing a reference to frequently-used stations.

A powerful AFC system, which could be turned off during tuning, was also included. The amplifier could provide 3 watts of output, unusually high for such a small set. Sockets for an external 7.5V power supply (via Beopower 600) and a tape recorder were fitted.

The Bang & Olufsen Beolit 400 transistor radio, designed by Jacob Jensen was presented with the IF Award in 1971 and the ID AWARD the year before. In 1972 the Museum of Modern Art in New York (MoMA) chose seven Bang & Olufsen products designed by Jacob Jensen to be included in their Design Collection as representing excellent examples of the Museum’s criteria for quality and historical importance; design, in fact, which had influenced the twentieth century. Beolit 400 was were one of those seven products.

BeoLit 400 Product Specifications

Type: 1503

Designer: Jacob Jensen

Manufactured: 1970 – 1973

Amplifier:
Power output 3 W / 4 ohms
Speaker impedance 4 ohms
Harmonic Distortion At 50 mV output: < 0.8 %
At specified output < 2 %
Frequency response: 90 – 14,000 Hz
Power consumption:
220 – 240 V, 50 Hz, 0.7 – 5 W
Dry cells: 5 batteries 33 x 60.5 mm
Voltage: 7.5 V

FM Radio:
Range 87,5 – 104 MHz
Sensitivity <1.2µV / 75 ohms
Selectivity >23 dB
Limiting <7µV / 75 ohms
Frequency Response 65 – 20,000 Hz
Harmonic Distortion <1.2 %

Dimensions W x H x D: 22 x 36 x 6cm
Weight 2.26 kg

Connections: External Power 7,5 V

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BeoCenter 2

BeoCenter 2

BeoCenter 2

The Socket Unit contains most of the electronics, as well as all external connections. This greatly helps the organising and concealment of the numerous cables needed in a typical A/V set-up. In BeoCenter 2 only a single thin cable, available in 1.8, 3, 5 and 10 metre lengths, connects the Master Unit to the Socket Unit. A 1.8 metre cable is delivered as standard.

The Socket Unit is fitted with MasterLink, RGB, PowerLink, power connections and other connectors so that you may connect a pair of BeoLab active speakers or link it to a home cinema system.

A great advantage of the compactness and relative lightness of the BeoCenter 2 Master Unit is great flexibility in placement. It can be wall mounted, attached to a dedicated floor or table stand, or simply placed on a table or shelf.

Digital Radio Module

BeoCenter 2 DAB digital radio module: this module allows users access to terrestrial free-to-air broadcasting of high quality audio and data. DAB digital radio is a new way of broadcasting radio via a network of terrestrial transmitters. It provides listeners with more choice, better sound quality and more information. DAB digital radio is like analogue radio, only much better. When available – from 3 November 2004 – the module will become a standard feature of BeoCenter 2 in the UK.

In order to make the module compatible it has been necessary to update both the Socket Unit and the Master Unit. This, however, means that DAB will not be available with past and current BeoCenter 2 models. It was originally stated upon the launch of BeoCenter 2, that it would be possible to ‘upgrade’ to DAB. Where customers purchased the model on that understanding, Bang & Olufsen will honour that commitment. The first Master Unit serial number with software suitable for the DAB functionality is 18139286.

Note: To have the DAB module fitted to your BeoCenter 2 is essential that both the Socket Unit and Master unit are the latest versions. Mixing existing stock of Master Units (pre-serial number 18139286) and DAB Socket Units (part number 1280020) is not possible.

Master unit connections: MasterLink x 1, Digital Out, SCART, S-VHS, FM Aerial, AM Aerial, audio in (L&R), audio out (L&R), PowerLink x 1 (See Specifications).

By touching ‘load’ on the anodised aluminium top panel, BeoCenter 2 opens to receive your chosen media. The product is made up of two units linked together by a special cable: the Master Unit (or Media Unit which is the player itself) and the Socket Unit.

BeoCenter 2 Press Release October 2003

Bang & Olufsen’s new music system, the BeoCenter 2, is in many ways a classic Bang & Olufsen product. It has mystique, it is elegant, it is simple and logical.

If you look at the BeoCenter 2 from a distance, the design says nothing about the many functions the system contains. Only when you make physical contact is the content behind the symmetrical polished aluminium doors revealed. If you press “load” lightly, the two wing-shaped aluminium doors slide aside elegantly to reveal a combined CD and DVD player. When the music or film is playing, the doors slide back to conceal the disc, clearly signalling that the experience is more important than the source.

It is by no means unusual for a DVD player to play CDs, but a system that offers radio, CD, DVD and MP3 CD playback is a new way of combining all sources of entertainment in one unit. “At Bang & Olufsen we always focus on integrating technologies and with the BeoCenter 2 we give our customers the chance to combine music and video sources in one unit,” says President and CEO Torben Ballegaard Sorensen.

With the oval shape of the master unit, BeoCenter 2 is yet another design step away from the traditional box-shaped units of yesteryear for playing music and images. The size of the display ensures that it can be read at a distance and a light meter behind the glass adjusts the intensity of the display according to the brightness of the room. This avoids the display completely illuminating a dark living room.

In addition to RDS (Radio Data System), the tuner in BeoCenter 2 allows you to program and name up to 60 radio stations. And, of course, the BeoCenter 2 can be integrated into a Beolink network. When connected to a Beolink PC2 it can also play digital music files stored on a computer.

Clean up the Mess

It has always been important for Bang & Olufsen to make it nice and easy for consumers to enjoy music and moving pictures. Most obviously, the concept helps to eliminate the many remote controls that typically pile up on the coffee table, replacing them with one remote control – the Beo4 – which can control all the functions of all the appliances connected, plus the lighting in the room.

Another example is the tradition of concealing cables in stands and behind screens so that the necessary cables do not mar the visual appearance of the products. And where it is not possible to conceal the cables completely, special holders are provided for the cables, making a virtue out of necessity. Finally, there is the design itself. By avoiding visual trivialities and unsightliness, which can mar an audio/video product in themselves, the products look simple and elegant.

BeoCenter 2 is a continuation, a natural development, of this line of thought. The division of the product into two separate parts means that there is great freedom to place the elegant master unit where it is best suited in the room. This may be on a table, mounted on the wall or on an aluminium floor stand specially designed to match the oval shape of the master unit.

From the master unit there is just one cable to the socket unit containing the sockets for all the cables connecting BeoCenter 2 to the mains, speakers, TV, aerials, etc. The socket unit can be concealed under a piece of furniture or behind a curtain. This means that the visible part of the BeoCenter 2 is not spoiled by the jumble of cables required to integrate it into the network of the TV and speakers.

World Class Aluminium Processing

BeoCenter 2’s two sliding aluminium doors were a challenge to Bang & Olufsen. Both doors are cut from the same piece of aluminium, but only after the front has been polished in the oval shape that follows the lower edge of the display. This ensures that all details in the polishing are echoed on both doors. Both these sliding doors stay together throughout the complicated process of milling and the two surface treatments. So the doors on the final product match perfectly.

The precision requirements Bang & Olufsen sets for the visual appearance of the product mean that the machine which grinds the edges of the doors works to very small tolerances. For every 1/100 millimetre along the edge, the machine calculates and self-corrects to ensure a perfect oval shape.

When the aluminium is surface-treated in the anodisation plant, tiny pores appear in the surface. These pores are used in the screen printing employed to apply numbers and characters to the front of the doors of the master unit. By pressing the coloured lacquer down into the pores and then surface-treating the doors, very durable printing is achieved. As a result, it is virtually impossible to wear the printing off, even with very frequent use.

Controlling the BeoCenter 2 is a masterpiece of precision. The area beneath the master unit is milled down to 0.5 millimetres. So when the user presses the unit, the thin aluminium sheet bends very easily. This activates the electrical circuits used for the control function. You can neither see nor feel this, but it is enough for it to make contact with the film of conductive material underneath.

The precision processing goes one stage further with the “wheel” on the right-hand door. In a wide circle around the control areas, a further 0.1 millimetre of aluminium has been milled off. The functions of the wheel include adjusting the volume, and it functions according to the same mechanical principle as the rest of the master unit.

BeoCenter 2 Product Details

Type Numbers

Master unit:
2801 2003-12 Master Unit 1280014
Socket unit: Socket Unit 1280005
2811 2004-01 (EU2, DVD region 2)
2812 2004-01 (EU3, DVD region 3)
2813 2004-01 (EU4, DVD region 3)
2814 2004-01 (EU5, DVD region 4)
2815 2004-01 (GB2, DVD region 2)
2816 2004-01 (GB3, DVD region 3)
2817 2003-12 (US1, DVD region 1)
2818 2003-12 (US4, DVD region 4)
2819 2004-01 (JP2, DVD region 2)
2820 2004-01 (AU4, DVD region 4)
2821 2004-01 (TW3, DVD region 3)
2822 2004-01 (KR3, DVD region 3)
2823 2004-01 (LA4, DVD region 4)

Designer

Manufactured

2004 -

Colour Options

Aluminium

BeoCenter 2 Product Specification

Master unit
Dimensions W x H x D, Master unit 372 x 50 x 243 mm (without standard feet)
37 x 15 x 23 cm (with standard feet)
Weight, Master unit 4.5 kg
Cabinet finish, Master unit Silver
DVD/CD Disc sizes 12 cm and 8 cm (in adaptor)
IR-remote control Beo 4
Close-up operation panels Sensi-touch piezo-electrical keyboards
Display type Vacuum Fluorescent Display with automatic light intensity control
Loader Motorized doors and loader
Contains DVD, DVD-loader, Display, Keyboard
Socket unit
Dimensions W x H x D, Socket unit 536 x 150 x 55 mm (without wall bracket)
54 x 15 x 6.5 cm (with wall bracket)
Weight, Socket unit 2.8 kg
Cabinet finish, Socket unit Black
Power supply, EU, GB, US, KOR
Power supply, JPN, US, TWN 187 – 264 V / 50-60 Hz
85 – 132 V / 50-60 Hz
Power consumption typical 22 watts / stand-by < 2 watts
Contains Radio, sound processing, video switching, power supply, main microprocessor
Audio Performance:
CD naming: 200 discs can be named
Sampling frequencies: 44.1, 48, 96 kHz
D/A Conversion: Sigma-Delta type
Frequency range: 20Hz – 20kHz CD/DVD/AUX, 30Hz – 15kHz Radio, FM
Playback: DVD-Video, Video CD, CD-DA, CD-R, CD-RW, CD-MP3
Signal-to-noise-ratio: > 105dB, A weighted, in CD mode
Tone controls: Bass, Treble, Loudness, Balance
Radio, FM: 87.5 – 108.0 MHz, 76 – 90 MHz JPN, De-emphasis 50/75ms, Grid 12.5 kHz to 50kHz
Radio, AM: 150 – 1710 kHz in two bands, Grid 225, 250, 300, 450 or 500 Hz
RDS: Name, RadioText, Clock
Naming: 60 stations
Digital output: Stereo and Encoded surround sound
Linear PCM, AC-3, MPEG-2, DTS
Video Performance:
Formats RGB, S-Video (Y/C), CVBS (Composite video)
DVD Zone According to Region
Colour system PAL/NTSC depends on region setting
Signal/Noise ratio > 60 dB, typ 70 dB
Crosstalk (video/video) < – 55 dB
Diff. Phase < 3o
Bandwidth ³ 4.8MHz PAL, ³ 4.3MHz NTSC
Widescreen Signalling Data to signal the aspect ratio.
Analogue copy protection According to DVD standard dependant upon disc copy protection ON/OFF bit (DVD discs only)


Connections:
Master unit
Headphone / Mini-jack 1
Special transmission cable between Master and Socket unit 1, special transmission cable between Master and Socket unit
Socket unit
AV (SCART) 1 AV Link 21-pin socket, CVBS, Y/C, RGB selectable output
S-video (Y/C output) 1 Mini DIN, 4-p
Control (CTRL) 1 mini-jack
Video (CVBS output) 1 Phono socket, yellow
Audio Line out 2 Phono socket, L/R
Audio AUX 4 Phono socket, inputL/R / output L/R
Digital output 1 Phono socket, orange
Master Link 1
Power link 1
FM antenna, 75 ohm 1
AM antenna (dedicated) 1
Mains connector 1
Loader unit 1, special transmission cable between Master and Socket unit

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BeoVision 7

BeoVision 7

BeoVision 7

“BeoVision 7 is more than just a TV; it’s a complete entertainment system specially created to offer a sound and picture experience far beyond expectations. With its 81cm LCD screen, built-in DVD player and powerful active loudspeaker system, BeoVision 7 offers all the benefits of flat-screen viewing, but with exceptional sound performance as well.”

BeoVision 7 combines both an 81cm LCD monitor with an integrated DVD Player, DSS surround sound module and a dedicated loudspeaker in BeoLab 7-1. The concept emphasises the separation of picture and sound together with a good number of placement options. With BeoLab 7-1 the very highest level of acoustic performance is delivered. BeoVision 7 has a higher display resolution than that of BeoVision 6 – 26: 1366 x 768 (WXGA) pixels against 1280 x 768 pixels of BeoVision 6.

BeoVision 7 may be used as either a stand-alone television set or as a large-screen monitor within a domestic surround-sound system. There are five different stand placement options available to the user:

Mounting Options & Stands

Original Bang & Olufsen stands available at launch included: Fixed position Table Stand, motorised Table Stand, motorised Table Stand, moveable Wall Bracket for TV and Loudspeaker (close or extended versions) and a motorised Floor Stand. A fixed Wall Bracket for BeoVision 7 32 was added to the stand portfolio after launch.

Each of the above options hold both the monitor and the BeoLab 7-1 active speaker; with the exception of the Table Stand, each has the vertical tilt feature.

BeoVision 7 offers the following as standard:

  • Dolby Digital/DTS Surround Sound
  • MasterLink Module
  • Set-Top Box Controller
  • RF Modulator
  • Anti-Reflex Coated Contrast Screen
  • DVI PC input

Part Numbers:

  • BeoVision 7 – 1816089
  • Table Stand – 1409766
  • Wall Bracket – Fixed – 1409511
  • Motorised Floor Stand – 1409111
  • Wall Bracket – Moveable – 1409611
  • Motorised Table Stand – 1409211

BeoVision 7 Product Details

Type Numbers

Beovision 7 32″ MK I – Type: 9310-9320
Beovision 7 32″ MK II – Type: 9321-9329
Beovision 7 32″ MK III – Type: 9331-9339, 9341-9350, 9399
Beovision 7 32″ MK IV – Type: 9171-9180
Beovision 7 32″ MK V – Type: 9181-9190
Beovision 7 40″ MK I – 9351-9359 – refer to Beovision 7 32
Beovision 7 40″ MK II – 9361-9369
Beovision 7 40″ MK III – 9370-9384, 9398
Beovision 7 40″ TV – 9456-9471
Beovision 7 40″ MK IV – 9439-9455
Beovision 7 40″ MK V – 9641-9657
Beovision 7 40″ MK VI – 7741-7757
Beovision 7 55″ MK I – 9479-9495
Beovision 7 55″ MK II – 7724-7740

Designer

Manufactured

2004 – 2013

Colour Options

Silver, Dark Grey, Black, Blue, Red

BeoVision 7 Product Specification

Power consumption:Typically 152W / Standby 1W
Terminal included: Beo 4

LCD Panel: 32″ 16:9 TFT LCD
Resolution: 1366 x 768 (WXGA)
Display colours: 16.7 million (true)
Luminance of white (centre of screen): Typical 450 cd/m2
Contrast ratio (centre of screen): Typically 1000:1 (min. 700:1); MK3 onwards 3000:1
Response time: Typically 8 m/sec. (falling), 16 m/sec. (rising)
Viewing angle: Typically 85 degrees (min. 75 degrees) both vertical and horizontal

Contrast screen: Glass with Anti-Reflective Coating

  • VisionClear Picture Engine
  • Adaptive Black Levelling
  • Digital Adaptive Dynamic Luminance Peaking
  • Digital Adaptive Noise Reduction
  • Blue Stretch
  • Digital Colour Transient Improvement
  • Motion Compensated Film Mode
  • Comb Filter
  • Vertical Peaking
  • Automatic Picture Control
  • Teletext (where available)
  • Wide Screen Signalling (WSS)
  • VPT (Video Programming by Teletext)

Tuning: Auto tune, program move and automatic naming

Tuner range: 45 – 860 MHz, VHF, S, Hyper, UHF
TV programmes: 99
Stereo decoders: A2 + NICAM

  • Formats
  • Format 1: 16:9 Panorama – 15:9 Panorama – (4:3 only active via setup in Service Mode)
  • Format 2: Letterbox + Soft Scroll
  • Format 3: 16:9
    • Automatic format optimization via “Black Bar Detection”
    • 16:9 detection on all SCART inputs #Support of WSS (Wide Screen
    • Signalling pulses) from broadcaster

PIN-code protection

DVD:

  • Disc sizes: 12cm
  • Frequency range: 20Hz – 20KHz
  • Supported file types: DVD-Video, Video CD, CD-DA, CD-R, CD-RW, CD MP3
  • Multi-standard PAL/NTSC
  • Signal-to-noise-ratio: Typical 100 dB, A weighted, in Audio mode
  • DVD Region: According to type

Set Top Box Controller (STB-C):
Inbuilt, with control of up to two peripheral devices via Infra-Red cable

Connections:

  • Input TV: 75 ohms aerial female
  • Output Splitter/Modulator: 1 x 75 ohms aerial male
  • Input DTV (Optional DVB-S kit): F-connector
  • 3 x SCART sockets (AV1, 2 & 3):
    • AV1 : CVBS in/out, RGB in, Y/C in (automatic Y/C detect, automatic 16:9 sense (pin-8), B&O AVL(2-way))
    • AV2 : CVBS in/out, RGB in, Y/C in (automatic Y/C detect, automatic 16:9 sense (pin-8), B&O AVL(1-way))
    • AV3 : CVBS in, RGB in, (automatic 16:9 sense (pin-8), B&O AVL(1-way))
  • 2 x HDMI input (MKV specification only)
  • Digital audio inputs: 4 x coax phono
  • Camcorder/Auxiliary: 3 x Phono sockets (video in/audio L-R in), auto detection (video)
  • Headphone Output: 3.5mm Mini-Jack
  • BeoLink®: MasterLink Connection
  • [B]BeoLink® video distribution:[/B[ 75 ohms aerial male (splitter/system modulator output)
  • External BeoLab speaker outputs: 2 x Centre, 2 x Front, 2 x Rear, 1 x Subwoofer, 1 x Extended Cinema Centre
  • PC input: DVI-I connector/Phono Video (CVBS) + audio L-R in (can be used to view HDTV on MKIII and above)
  • Projector output: D-sub ( VGA 15 pin female)
  • External IR receiver: Mini-Jack

Optional features/Modules:

  • Digital Satellite module (DVB-S) / Digital Terrestrial Modules (DVB-T, DVB-HD)

BeoVision 7-40

  • Screen size 40” widescreen LCD
  • Dimensions 108 x 68 x 18 cm
  • Weight 45 kg
  • Power consumption Typical: 223 W; Standby: 0.5 W
  • Remote control included Beo4
  • Contrast screen Anti-reflection coated
  • Digital Surround Sound module Standard
  • Master Link Standard
  • Stand options
    • Table stand, motorised turn and tilt
    • Floor stand, motorised turn and tilt

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Beo5

Beo5

Beo5

The Beo5 is expected to become an important part of the new B&O range. It is designed to work with all of the range but is particularly suited to use with the TV range when partnered with the BeoMedia devices.

A backlit screen, which is able to be configured via a USB connection on the docking/charging station, sits on top of a very tactile metal control sphere. The interface is a modification of the well known Beo4 layout but with the addition of a click wheel and ring of control buttons. A numeric keyboard can be activated on the touch sensitive screen by pressing TEXT. Different set ups of screen can be customised by the user though this has to be set up by the dealer. Configuration is a dealer task.

One Way Traffic

The remote is not the hoped for return to two way remote control but does allow the screen to be customised to suit a user’s system. In particular it is thought that program logos could be able to be imported onto the screen. It would appear that these are B&O defined so may be somewhat limited.

Fully Compatible

As the Beo5 uses a derivative of the original Beolink 1000 codes, it is able to be used with many products dating right back to the eighties. It will replace the Beo4 in time and will be supplemented by a basic control for sets such as the Beovision 8.

Beo5 Product Details

Type Numbers

Please let us know​

Designer

Manufactured

2007 -

Colour Options

Black/Alu

Beo5 Product Specification

Please let us know

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